Audio Advice is the world’s largest retailer of madVR Envy video processors and the leader in remote setup and calibration. Our team has completed more madVR installations than anyone in the U.S., giving us unmatched expertise in optimizing its performance. We recommend speaking with our specialists before placing your order to ensure seamless compatibility with your system and to establish a tailored calibration plan for the best possible results.

What is the Envy?

The Envy is a powerful Video Processor, dedicated to providing the best possible picture quality for high-end Cinema. Modern video images exist in the digital domain, and so must go through a wide variety of devices and processors to get from the original source to the screen where it is viewed. Video Processors are present in the players we use, a/v receivers, pre-pros, as well as the projector or other display device. These will vary in what they are able to do with the image, and more importantly, how well they do it. The Envy was designed to outperform them all, so let’s take a look at how it measures up.

madVR History

Many in the audiovisual world will be familiar with madVR, as its software is well respected, and has been used in home theater personal computers (HTPC) for more than a decade. This required building and maintaining a relatively high-end computer to handle some heavy-duty processing, and typically demanded quite a bit of technical expertise to tap its full potential.

In 2019, Mathias Rauen, the technical genius behind madVR, teamed up with Richard Litofsky, an entrepreneur with 30 years of experience building technologically oriented companies, to create madVR Labs, LLC. The goal was to take the capabilities of a madVR HTPC and transform it into a readily available and easy to set up product, which could be used by anybody, in any cinema environment. The Envy is the result, and it has been available since 2020.

Introducing Envy MK3

madVR Labs has just announced the Envy MK3. The Envy Pro MK3 is powered by the Nvidia 5060 GPU, and will receive an upgraded GPU with triple-fan design for enhanced cooling efficiency and noise reduction.

One of the things that has really impressed us about MadVR is how much feedback they have sought to improve the product over time. They are constantly soliciting our feedback on functionality and software.

The results are that the new MK3 product will benefit from ECC-RAM, providing unparalleled reliability and stability, an upgraded motherboard, power supply, more than twice the RAM and SSD capacity as the MK1 models, along with the new Glacier X2 cooling system. This features three 140mm and two 120mm high-end static pressure fans, providing 50% more airflow. The net result is better performance and quieter operation, with noise now essentially inaudible from a couple of feet away when in Silent mode.

The Envy Pro MK3 features a custom-engineered all-aluminum 3mm case (5mm in the rear) with a 20mm front plate. The case's seamless one-piece design for the lid and side walls creates a modern, high-end look. The MK3 also features a 4 RU form factor, just like the MK2, a welcome reduction in size from the 5U required for the original Extreme MK1, making it more space-efficient in racks and more versatile for use in spaces with poor ventilation. Custom-made Rack Ears are now included with every Envy.

Envy models now include a 5-year warranty, which we consider quite exceptional in the world of high-end audiovisual gear. This is a strong indication of madVR’s confidence in the overall quality of the new MK3 design. We would like to see other manufacturers offer similar protection!

madVR Envy MK3 Features

Dynamic Tone Mapping (DTM) for HDR Content

The latest and most exciting development in home theater is the production of shows and movies with 4K Resolution, High Dynamic Range (HDR), and Wide Color Gamut (WCG). This can create an unprecedented level of realism and visual impact when done right, but there are significant challenges to achieving this in our homes.

Specifically, most HDR mastering is based on having a very high degree of brightness available on the display device – 1,000 nits, or in some cases, up to 10,000 nits. The best current televisions can get between 600 and 1,000 nits, sometimes higher, while the average is about 450 nits. And when we look at projectors, with a reasonably large screen size, they're generally in the 50 to 150 nit range.

As a result, in order to display HDR in home theaters where the brightness is quite limited, the original signal must be “tone mapped” to the range that is actually available. Initial efforts used “static” tone mapping, where a single map was used for any and all HDR content, but it really didn’t work well.

The Envy is one of very few devices that uses “dynamic” tone mapping. Here, each and every frame is independently analyzed, and sophisticated algorithms are used to produce the best looking image. The Envy allows you to input the actual Nits available on your screen, which it then uses to customize its output for your particular theater.

This makes a huge difference, and it does a superb job of creating the visual impact made possible by HDR. Before adding the Envy to our system, we frequently encountered scenes that were either too dark, others too bright, or areas where whites were clipped or blacks were crushed. The Envy has beautifully handled everything we’ve thrown at it, and we’ve been able to just sit back and enjoy the show!

The most recent firmware provides 5 selectable “looks” to the dynamic tone mapping, which along with other options available, provides the ability to fully ‘tweak’ the image to look its best in your own theater.

Aspect Ratio Management

The movies and shows we enjoy can vary quite a bit in their Aspect Ratio – from the HDTV standard of 16:9, to 2.00:1 often used by Netflix, all the way to 2.40:1 for most motion pictures. This makes things difficult for any display device, and very often the picture gets compromised as a result.

If you’re using a 16:9 screen, and watching a 2.40:1 movie, there are letterbox bars at the top and bottom, which can be visually distracting. The Envy provides an option to automatically move the entire image either up or down, eliminating one of those bars, which reduces this distraction.

Widescreen Explained: What’s with the Black Bars?

If you’re using a Scope Screen (where the Aspect Ratio is between 2.35:1 and 2.40:1), the Envy will automatically detect the incoming aspect ratio, and scale it so that it always fills the full height of your screen, and as much of the width as the aspect ratio allows. This is a huge benefit. Before adding the Envy, we would have to use different lens memory settings for each and every aspect ratio, which physically zooms the lens, shifts the image, and refocuses the picture. This usually takes at least 10-20 seconds, and because it relies on physical motors, the precision isn’t exact and tends to drift over time, requiring additional manual adjustments. But with the Envy, it happens instantly and automatically, and is always precise.

This feature really comes in handy when watching movies where the aspect ratio changes during the same movie – Christopher Nolan’s movies in particular use this a lot. We watched Tenet, where the Aspect Ratio varied between 16:9 and 2.20:1, and these changes were automatically and instantly detected, so that the movie optimally fills the screen from start to finish.

And perhaps even more importantly, if you’re watching a 2.40:1 movie, zoomed to fill your screen’s width, and you hit the player’s Pause button, to fast forward, find a time-stamp, or to select a different scene to watch, those On Screen Display elements are typically in a 16:9 format. Without the Envy, these can’t be seen because they would ‘spill’ over onto the screen’s frame and the wall behind the screen. But with the Envy, they are instantly recognized, and the image is automatically rescaled so that all On Screen Display elements are always visible. This was needed basically every time we watched a movie, and was incredibly useful.

Non Linear Stretch

Whenever there is a difference between the aspect ratio of what is being watched and that of the screen where it is being displayed, there will be black bars present. When watching 16:9 content on a 2.40:1 screen, there will be ‘pillarbox’ bars on the sides. When watching 2.40:1 content on a 16:9 screen, there will be ‘letterbox’ bars on the top and bottom. In both situations, there is unused screen space, and many want an option to fill their screen, regardless of the Aspect Ratio.

The Envy provides a very easy way to reduce or eliminate the black bars in either of these situations. It provides a well-designed graphical interface where you can make the adjustments and see the results in real time. You can configure this for any aspect ratio you want, and the settings will be automatically applied.

The image can be partially cropped, which will increase the image size and reduce the black bars, with no distortion of the content’s geometry. This can be combined with stretching of selected areas of the content, along with compression of other areas. The result is a larger, more immersive image, with no black bars or unused space on the screen.

This is a personal choice, however, as some people prefer not to alter the original image in any way. But we do like the fact that the Envy provides the choice to the theater owner, to display the picture according to their personal preferences.

Subtitles

We often find it helpful to turn on subtitles, and when watching 2.40:1 content on a 2.40:1 screen, they are often partially or completely cropped out, because they’re in the black bar area usually below the screen. The Envy provides the ability to fix this, and the result is that the subtitles can be completely seen within a narrow bar at the bottom, with no bars at the top or sides. This is a huge benefit, and it works quite well. And even better, it does this automatically, needing no button pushes!

Dynamic Subtitle Overlay

An upcoming feature, called Dynamic Subtitle Overlay (DSO), seamlessly repositions subtitles into the active image with options to reduce subtitle brightness and size, and even adapts subtitle color to match the scene for harmonious integration.

We were able to preview this new feature at Audio Advice Live 2025, and we were incredibly impressed by its ability to minimize the distraction typically associated with standard black bar subtitles, while preserving crisp readability.

We believe Dynamic Subtitle Overlay will be a game-changer for those who prefer subtitles, and look forward to its public release.

Upscaling

If you’re watching regular HD content (1920x1080 pixels) with a 4k Projector (3840x2160 pixels), the image must be ‘upscaled’ to be viewed correctly. This can take place in the player, the AVR, pre-pro, or the projector. These devices can get the basic job done, but having limited processing power, the results are often not optimal.

The Envy has a huge amount of processing power available with its hardware, and along with its sophisticated proprietary algorithms to handle the upscaling, HD content often appears just as sharp and detailed as if it were 4k to begin with.

Image Enhancement

The Envy provides an array of settings to further improve the image. This includes options for sharpness, edge enhancement, reduction of grain, compression artifacts, and mosquito noise, as well as other tools. We find that adding just a little sharpening to upscaled HD material provides a significant improvement in image quality. And a little noise reduction makes watching older, grainier movies more enjoyable.

Anamorphic Stretch

Many people use Anamorphic Lenses to further improve image quality when using Scope Screens. Projectors typically have 2 Anamorphic Modes of processing available – one for 16:9 content, and the other for 2.40:1 content – with no ‘in-between’ options. This creates major problems for seeing full menus and other on screen Display elements, as well as subtitles, or when watching shows with aspect ratios other than 16:9 and 2.40:1.

The Envy is designed to handle these automatically and optimally, and it lives up to its claims. Regardless of the aspect ratio of what you watch, the Envy scales it automatically, and it looks great. It basically provides an unlimited number of anamorphic modes, which no projector could possibly duplicate.

3D LUT

The capability to have your system professionally calibrated, using software such as ColourSpace and Calman, is built into the Envy, supporting 256-point LUTs. This provides a powerful way to get the most accurate image possible in your Theater.

Operation

Setup

Given the Envy’s sophistication, with all the power and complexity ‘under the hood,’ the initial Setup is surprisingly quick and straightforward. Physical connection is simple – plug the HDMI cable from your AVR or Pre-Pro into the Envy’s Input, and the cable to your projector into its Output. A Quick Start Guide is provided to walk you through the basic settings, which only takes 5-10 minutes or so. The Envy’s default settings provide excellent results for most Theaters, so there’s no need for much technical knowledge to get up and running.

Menu System

The Envy Menu system has on-screen, context-sensitive help, which explains what any given setting does, to help you decide what choice is best for your theater. And even better, if questions arise, we, or even madVR staff themselves, can establish a remote connection to your Envy and walk through the Settings, as if we are in the room with you, and quickly fine-tune your setup.

While the basic setup and configuration is quick and easy, the Envy does provide a wealth of options for the user who prefers to ‘geek out’ and fully customize their setup in all the detail they want. One of the things we really liked was how easy it was to try out new settings without changing the defaults. We’ve used complex electronics in the past without this type of design, and have seen how difficult it can be to get back to where you started after making a variety of settings changes.

To accomplish this, it uses “Active”, “Temporary”, and “Base” designations for all the Envy’s settings. When you start making changes, they are assigned as “Temporary,” so that once you’re done with that viewing session, all of these values will automatically reset to their default (or “Base”) values. And once you decide which settings you want to be ‘permanent’, this is easily done by assigning that as the “Base” value with a simple button press. Honestly, most customers don’t even touch this stuff and let us handle it for them. But for those who are really into it, the Envy really makes customization easy.

Profiles

This is an ingenious concept developed by madVR, where you can ‘group’ a collection of any settings available in the Envy, in a ‘Profile,’ to be used together whenever you want. For example, we found we wanted different Envy settings to be used depending on whether we were watching with a Roku vs a Blu-ray Player. With the Roku, we wanted certain Subtitle settings to be used, which were different when watching with our Blu-ray Player. We were able to use the Envy’s built-in ‘source’ profiles, and assign whatever setting we wanted to be used whenever that profile was activated.

If you want to use the Envy with different Displays (e.g. a TV as well as a Projector), you can take advantage of its Display Profiles to configure optimal settings for each device.

You can also create Custom Profiles of your choosing, limited only by your imagination in putting these to use. For example, when evaluating the different DTM “Looks” we created profiles for these to provide instant access, which made comparisons much easier to do.

madVR has provided an Introduction to Profiles, and a Profiles User Guide to help you understand how profiles work. But honestly, this is harder to explain in words than it is to use in practice. Once the profile concept ‘clicked’ in our minds, we saw how powerful it was, how easily it could be implemented, and how we could quickly configure the Envy to use optimal settings for any situation. The more and more we have implemented, the better we’ve gotten at setting these up for clients where they don’t even need to understand the details–we just make it work in the background for them.

Control

The Envy comes with its own Remote, which can be configured to use either IR or RF. One of our few pet peeves with the original Envy was that the remote was not backlit. So power users who will make more frequent use of the remote can now enjoy its sleek design, great feel in the hand, and additional buttons to program and use, in addition to it being backlit.

madVR has released drivers to allow integration with a variety of automation systems, including Control4, Crestron, Savant, and RTI, which can further enhance the Envy’s ease of use. We have used the Control4 driver in many theaters, and have found it to be well thought out and easy to program. As an example, we combined Control4 Automation with the Envy’s Profile System, so that whether we used the Roku or Blu-ray Player, the correct Envy Profile was automatically activated.

But our favorite use was with the vertical masking for our scope screen. Control4 gets the Aspect Ratio from the Envy and then sends a command to the masking system to move to the correct position for whatever we were watching. We were pretty impressed with how well this worked!

Firmware Updates

As anyone who has had to deal with Firmware updates for any electronic device can attest, while great in concept, they can provide a mixed experience. For one thing, the update process itself can be cumbersome, often requiring a download to a USB stick, plugging it into the device, and then hoping it is recognized. Or sometimes specialized cables are needed to establish a connection. And once updated, it’s not unusual to have some things work better, while other features get broken, making us regret having done the update.

The Envy avoids all of these problems. The update process itself uses the Envy’s ethernet connection and takes less than 30 seconds to complete. But more importantly, if for whatever reason you want to revert to a previous Firmware version, this can easily be done in those same 30 seconds. Successfully reverting to an older Firmware is almost unheard of in this type of device, and is a feature we would like to see used in more electronic devices.

Conclusions

We have been very impressed with the performance of the Envy in all of the theaters we have done. It provides not only superb picture quality, but improves the ease of use dramatically. This can be very important when family members want to watch something on their own!

Obviously, we are extremely impressed with the MadVR Envy - so what’s not to like about it? Well first, it isn't inexpensive. If you want the best theater experience, we think it is great to add an Envy to any setup. However, it is going to be out of budget for some. The good news is that with the launch of the new Envy Core MK2, madVR now offers an option for those on a tighter budget to still add an Envy to their system.

Second, the incredible processing it performs takes time. The Envy adds some delay in the video signal. This means that you may need to add audio delay in your audio receiver or processor. Fortunately, this is not very hard. We have produced a YouTube video that our team and DIY customers use to nail lip sync delay.

How To Perfectly Set Lip Sync Calibration In Your Home Theater

As one of the largest MadVR dealers in the world, we’ve seen pretty much every permutation of projectors, receivers, and room setup. Even our customers who have vacation homes in remote locations have been able to easily plug in their new Envys and have us remotely set them up for them. Every single customer so far has raved about it, which to us is the ultimate sign of success.

Our madVR experts at Audio Advice would be happy to answer detailed questions for you. Our team just loves this type of high performance product and enjoys helping people find the right solutions for their home theaters.

At Audio Advice, we've been designing and installing high-performance home theaters & smart home systems for our customers in North Carolina and the surrounding areas for decades. In fact, we've delivered more custom theaters than anyone in the Southeast! We are now offering Home Theater Design no matter where you live in the United States! If you are interested in a custom home theater or upgrading your current system, give us a call at 888.899.8776, chat with us , or stop by our award-winning showrooms. We can't wait to help you build your ultimate home theater!