KEF R5, R7, & R11 Meta Floorstanding Speakers
There are three tower speakers in the new line, the R11 Meta, R7 Meta, and R5 Meta.
The choice between these three will depend on the size of your room and budget. What is great about all three is that the midrange and treble sounds virtually identical on all of them, but there are some big differences in the bottom-end output.
The R5 Meta is a three-way design with two 5 ¼” hybrid aluminum cone low-frequency drivers. This 54-pound speaker has a very slim front profile being just under 7” wide, about 40” tall and 13 ½” deep. We like the outrigger feet that come on all of the towers which provide a high degree of stability. They come with spikes for carpet or if you have hard surface floors, a flat pad the spike sits in.
The R5 Meta is the easiest speaker to set up in the tower series. With the smaller woofers and somewhat limited bottom end, it will not interact much with the walls around it, giving you the flexibility to put it closer to a rear wall. If you are putting them into a room larger than around 12’ by 15’, we would recommend that you add a subwoofer.
The R7 Meta is probably the sweet spot in the tower series. The dual 6 ½” hybrid aluminum cone woofers give it much more authority. These are a little harder to place than the R5 Meta as you will need to get them at least about 20” off the rear or side walls, but if you take the time to dial them in, you will be super happy with the results. They work well in family rooms and even larger rooms.
The R11 Meta, at a whopping 80 pounds per speaker is a beast! The 4 6 ½” woofers give it much more bottom end, but it does come at a price of needing careful setup. These will interact with the room a lot more than the R7 Meta, meaning you will need some space around them if you really want to hear what they are capable of. We see these being used in a large family room or bonus room. You would certainly not want to try them in a 10’ by 12’ office as they would just overpower the room.
One of the first speakers in this line we got in to check out was the R11. The first cut we tried from Crosby Nash is one we use a lot, called Lay Me Down. When the system is right, this track has a huge soundstage with a liquid midrange. The R11 blew us away with the size of the soundstage, the dynamics it could portray, and how neutral and revealing they were. After hearing these, we felt like they should call this new line Reference Lite!