A while back, Audio Advice was doing a live stream with Wharfedale covering the Heritage lineup, and someone in the chat asked why there was no center channel for the series. It turned out a lot of people had been wondering the same thing, because the question kept coming up for the rest of the stream. Wharfedale took notice, and the result is the Heritage Centre, the first dedicated center channel in the Heritage lineup.

We've had it in our lab paired with the Super Lintons for the past few weeks. Here's everything you need to know, including why adding a center channel to any two-channel system running movies is one of the more significant upgrades you can make.

Why Running Two-Channel for Movies Is Holding You Back

A lot of people run two-channel setups for movies, and honestly it makes sense. A good pair of stereo speakers will outperform most soundbars by a wide margin, so why add more complexity to the system? The problem is that film audio isn't mixed for two channels, and the gap between what you're hearing and what the mix was actually designed to deliver is bigger than most people realize.

The center channel in a properly mixed film carries somewhere around 60 to 70 percent of the total audio information, primarily dialogue, voiceovers, and the anchor of nearly every scene. When you play that back through a stereo system, your receiver takes that center channel information and folds it into the left and right speakers through a process called downmixing. The result is that the center channel track gets mixed down to mono, which in theory should work reasonably well, but only if you're sitting perfectly centered between your two speakers and they're perfectly centered on your TV. In practice that's a one-person sweet spot at best.

You've probably noticed the symptoms without necessarily connecting them to the cause. Dialogue that feels slightly loose or detached from the image. Lines of conversation getting buried when a music cue or sound effect hits at the same time. And if you're sitting even a little off to one side, voices start drifting toward whichever speaker is closer. Over a two-hour movie that adds up, and it's the kind of thing that's hard to put your finger on but makes you feel like you're working harder than you should be to follow what's happening on screen.

A dedicated center channel takes all of that off the table. It puts dialogue exactly where it belongs, locked directly below or above your screen, stable and clear regardless of where anyone in the room is sitting.

One important note before you go any further: adding a center channel requires an AV receiver. If you're currently running a two-channel integrated amplifier, you'll need to factor that into your plans. It's a worthwhile step, but it's not a small one. We have a full guide on how to set up a center channel properly, covering integration with your existing system, receiver configuration, and crossover settings, linked at the bottom of this article.

Where the Heritage Centre Came From

Wharfedale's Heritage series has been one of the more quietly dominant speaker lines in specialty audio over the last several years. The Linton relaunched in 2019 after an extended absence and immediately found a devoted audience. The Super Linton followed, along with the Denton models at various sizes and the UK-built Dovedale and Aston at the higher end of the range. What ties all of them together is real wood veneers, cloth grilles, and a warm musical character that doesn't give up detail to get there. They look like furniture in the best possible way, which is a big part of why people keep gravitating toward them.

As the Heritage series grew, more people started using these speakers as their primary audio for TV and movies, running the Lintons or Super Lintons through a receiver and watching films through a system that was never really designed with that use case in mind. The consistent problem was that there was no center channel that belonged in that system, nothing that matched the veneer options, the driver approach, or the tonal character. The choices were to run without a center entirely, which as we just covered is a real compromise for movie watching, or to add something that looked visually mismatched and sounded like it came from a different design philosophy. Neither option was great, and that frustration came up constantly in comments, forums, and during that live stream, which is what finally pushed this over the line.

How the Heritage Centre Is Built

The Heritage Centre is a three-way design, which is worth calling out specifically because a lot of center channels cut corners and go two-way to keep the cabinet small and the price down. A two-way center channel means your tweeter or woofer, depending on the design, is handling frequencies that really should belong to a dedicated midrange driver, and that's a problem because the midrange is where voices live. A three-way design like this one has a dedicated driver for that range, and that makes a concrete difference in dialogue clarity and separation, particularly when the mix gets busy. There are some excellent two-way center channels on the market, but they tend to live at significantly higher price points to get there.

The driver layout is two 6.5-inch woven Kevlar woofers on the outside, a 2-inch soft-dome midrange in the center, and a 1-inch soft-dome tweeter just below it. The Kevlar cones and dome materials mirror exactly what Wharfedale uses in the Linton and Super Linton, which is not an accident. The crossover points are at 900Hz and 2.7kHz, keeping that midrange driver right in the sweet spot for vocals. The cabinet is rear-ported with internal bracing and reaches down to 47Hz at -6dB, which for a center channel is a really solid low-end extension. It's what keeps the speaker from collapsing or sounding thin when a movie scene gets loud and dynamic.

Placement Tip

Because the Heritage Centre is rear-ported, placement matters. Try to leave at least six inches between the back of the cabinet and the wall, and avoid placing it inside an enclosed media console where the port is blocked. A cramped placement will choke the low end and introduce some cabinet coloration that the speaker wasn't designed to have. It doesn't need a lot of space, but it does need some.

Peter Comeau's Role

Every Heritage model goes through Peter Comeau, Wharfedale's Director of Acoustic Design, and the Heritage Centre is no different. Comeau has been responsible for the character of the entire Heritage line, which means this isn't a center channel designed to approximate the sound of the Linton and Denton. It was designed specifically to be tonally indistinguishable from that family. The crossover was engineered for this specific driver array in this specific cabinet. The voicing matches the Linton and Super Linton, so dialogue sits forward and clear without getting harsh up top, and there's enough body in the lower midrange that voices sound full and natural rather than thin. The goal was a center channel that disappears into a Heritage system and does its job without calling attention to itself.

How It Performs

We ran the Heritage Centre in our lab with the Super Lintons handling left and right through a mid-range AV receiver. The improvement in soundstage stability compared to running the Super Lintons in stereo downmix mode was immediate and obvious. Dialogue locked to the screen. Action sequences that previously had a slightly diffuse, spread-out quality became spatially coherent and easier to follow.

The midrange performance is where this speaker makes its strongest case. The 2-inch soft-dome is doing exactly the job it was designed for. Voices have texture and presence and stay intelligible at volume levels where a two-way center would start to compress and lose definition. We pushed it through some demanding sequences and didn't run into congestion or smearing at similar volumes.

The tonal match with the Super Lintons across the front soundstage is as close as you could reasonably hope for from a center channel. Audio panning from center to left or right moves through a coherent, continuous soundstage. You don't hear a different-sounding speaker taking over in the middle. That handoff is smooth, and it's what makes the whole front stage feel like a unified system rather than a collection of individual speakers.

Who Should Buy the Heritage Centre

If you own Lintons, Super Lintons, Dentons, or any other Heritage speaker and you're watching movies through a two-channel setup, this is the most direct upgrade available to you right now. There is no other center channel that was designed from the ground up to match this lineup, acoustically or aesthetically. If you're planning a Heritage-based home theater from scratch, build the center channel into your budget from day one. And if you've been on the fence about whether a center channel makes enough of a difference to justify the addition, the answer is yes, particularly if movies and TV are a significant part of how you use your system.

Frequently Asked Questions

Do I need a center channel if I already have Wharfedale Lintons?
Not technically, but if you're using them for movies you're missing a significant part of the mix. The center channel carries the majority of dialogue in most film mixes, and without one, that information gets downmixed into your left and right speakers, which works best only if you're sitting perfectly centered. If movies are part of how you use your system, a center channel is one of the most impactful additions you can make.

Will the Heritage Centre match my Lintons or Super Lintons?
Yes, and that's the whole point. It's available in the same Walnut, Mahogany, and Black Oak real wood veneer finishes, uses the same Kevlar driver materials, and was voiced by the same acoustic designer, Peter Comeau, to match the tonal character of the Linton and Super Linton. It's the only center channel built specifically for this lineup.

What AV receiver do I need to use the Heritage Centre?
Any AV receiver with a center channel output will work. The Heritage Centre is 6 ohms nominal and is listed as compatible with 8-ohm rated receivers, which covers essentially every AV receiver on the market. If you're currently running a two-channel integrated amplifier, you will need to upgrade to an AV receiver to add a center channel.

Can I place the Heritage Centre inside a media console?
It's not ideal. The Heritage Centre is rear-ported, so it needs some breathing room behind it, ideally at least six inches from the back wall. Placing it inside an enclosed cabinet where the port is blocked will restrict bass output and add unwanted coloration. An open shelf or placement on top of your console with clearance behind it will get the best results.

What crossover setting should I use for the Heritage Centre?
If you're running a subwoofer alongside it, setting the crossover around 80Hz is a good starting point. This lets the Heritage Centre focus on the midrange and upper bass where it performs best, while the subwoofer handles the lowest frequencies. Your AV receiver's room correction software, if it has one, may set this automatically during calibration.

Is the Heritage Centre good for music as well as movies?
Yes. Because it's tonally matched to the Linton and Super Linton, it integrates well in multichannel music setups too, not just home theater. If you're listening to music in a multichannel format or running a stereo array with a center fill, it holds up well in those contexts.

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