KLH Model Seven
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Overview
This article looks at the history behind the KLH Model Seven, its design and build quality, the technology inside, its performance, and how it compares with KLH’s other recent models.
Founded in 1957, KLH helped popularize the acoustic suspension principle, a breakthrough that allowed compact sealed enclosures to deliver deep, accurate bass with low distortion. That idea reshaped the home loudspeaker market of the 1960s and 70s and remains central to KLH’s identity today.
The new Model Seven carries that heritage forward, drawing on the proportions of classic wide-baffle designs while updating them for modern rooms and expectations. When they were showcased at Audio Advice Live 2025, they attracted constant crowds. Several attendees even told us they came back to the same room three different times just to listen again! Let’s dive in and see if these are the right speakers for you.

History
KLH Audio was founded by Henry Kloss, Malcolm Low, and Josef Hofmann. Kloss had previously worked with Edgar Villchur at Acoustic Research, where the AR-1 introduced the acoustic suspension design that went on to change hi-fi. At KLH, Kloss expanded on that foundation with influential models like the Model Five and the highly regarded Model Nine electrostat, as well as innovations such as the Model Eight FM radio.
In 2017, industry veteran David P. Kelley revived KLH with the goal of honoring its heritage while modernizing its lineup. The relaunch of the Model Five in 2021 and the Model Three in 2022 showed how successful that formula could be, earning global recognition and awards. Following Victrola’s acquisition of KLH in 2025, the brand continues to focus on combining classic design values with technology suited for today’s listeners. The Model Seven is the latest step in that effort.
Design & Build Quality
The Model Seven is a three-way loudspeaker built around a wide baffle cabinet. The proportions honor classic mid-century speakers while serving an acoustic purpose. A wider front panel directs more energy toward the listening area and reduces the wraparound that can lead to early reflections off nearby walls. Imaging becomes steadier, and the soundstage locks in with greater precision. The enclosure is constructed from structurally reinforced medium-density fiberboard in both three-quarter-inch and one-inch thicknesses. The result is a rigid platform that suppresses resonance and lets the drivers do their job cleanly.
With its riser base installed, the Model Seven stands 41 inches tall. Without the base, it measures 36 inches. Width is 18 inches. Depth is 12.25 inches with the base and 9.75 inches without. That shallow depth helps a physically substantial speaker fit gracefully into real living spaces. Weight is 78.8 pounds with the riser and 68 pounds without, which communicates the solidity you expect at this level. The finish is handcrafted English Walnut real wood veneer. Details such as non-resonant die-cast aluminum frames for the drivers and five-way gold-plated binding posts reinforce the sense of a carefully built instrument rather than a commodity box.
The riser base introduces a gentle three-degree slant that aims the midrange and tweeter toward the listening position. Magnetic grilles attach cleanly and are offered in four fabrics, each fitted with a vintage KLH logo cast in zinc. The speakers are sold as mirrored pairs, so left and right cabinets present symmetrical driver layouts when set up in a room. The whole presentation blends warm, furniture-grade woodworking with the purposeful look of wide baffle acoustic design.


Features & Technology
The Model Seven is defined by its acoustic suspension platform. In a sealed design, the volume of air inside the enclosure serves as an air spring that provides the restoring force for the woofer cone. The air itself becomes the dominant part of the suspension. Since air behaves more linearly than most mechanical suspensions, cone motion stays more linear over a wider range of excursions. That means you can achieve higher output and deeper extension with less distortion than a comparable bass reflex system, and you do it without the port noise, group delay, or placement sensitivity that ports can introduce. The sealed acoustic alignment also produces a gentle 12 decibel per octave low frequency rolloff, which interacts with natural room gain in a way that supports clean, believable bass in typical listening spaces.
KLH scales that platform with a high volume displacement 13-inch pulp paper cone woofer mounted in its own sealed 2.5 cubic foot internal sub enclosure. The larger cone area and robust suspension translate to significantly more air moved per stroke, which is the most direct route to clean, extended low frequencies. The old car world adage applies here. There is no replacement for displacement. In loudspeakers, more swept volume means less strain at a given output and a sense of ease when reproducing bass instruments and large-scale dynamics. The Model Seven’s bass system is rated to 38 hertz to 20 kilohertz within three decibels, with a low frequency extension of minus ten decibels at 26 hertz. Maximum output at 45 hertz is specified at 111 decibels, and in room maximum sound pressure level reaches 115 decibels. These are the numbers of a full-range loudspeaker intended to anchor a serious system without help from a subwoofer.
Midrange is handled by a dedicated five-inch pulp paper cone driver mounted in its own internal sealed enclosure. Isolating the midrange from the woofer’s back pressure prevents intermodulation and allows the driver to be optimized for the most revealing part of the spectrum. Voices live here. So do the fundamentals of most musical instruments. This is where the ear is most sensitive to error, and the Model Seven’s approach is aimed at preserving clarity and natural timbre.
High frequencies are reproduced by a one inch aluminum dome tweeter with a soft rubber suspension. The tweeter is designed to extend cleanly without edginess and to integrate smoothly with the midrange. Integration across all three drivers is controlled by a third order electro acoustic crossover that uses nineteen carefully selected components, including air core and iron core inductors. The crossover points are 300 hertz for the transition from woofer to midrange and 3,500 hertz for the handoff from midrange to tweeter. The design target is obvious when you listen. No audible seams, just a single source impression.
Dispersion is broad and controlled. Horizontal coverage to the minus six decibel points is specified at 140 degrees, which supports a wide listening window while maintaining a coherent center image. Sensitivity is rated at 88 decibels at 2.83 volts and one meter in free field and 91 decibels in room. Nominal impedance is 4 ohms. Recommended amplification starts at 20 watts and extends to 250 watts, and the system is built to handle 250 watts continuous with 1,000 watt peaks.
On the rear panel, a three position acoustic balance control lets you fine tune output above 400 hertz by plus or minus 1.5 decibels. The High setting is the neutral reference. The Medium and Low settings gently contour the presence and top end to suit your room and taste. This is not a heavy handed tone control. It is a subtle, useful tool for real rooms. Placement is similarly practical. Unlike many bass reflex speakers that demand two or more feet of breathing room from boundaries, the sealed Model Seven is comfortable much closer to the wall. KLH recommends a range from about six inches to two feet. Because the cabinet is sealed, you can even place it nearer than that if needed, then use the acoustic balance control to dial in the last bit of top end behavior.
Inputs are via five way gold plated binding posts. The enclosure walls use both three quarter inch and one inch MDF in key locations for strength. The driver frames are non resonant die cast aluminum, and both the woofer and the midrange use half roll rubber suspensions selected for linear motion and longevity. Fit and finish details extend to the hardware and fasteners, which are chosen to maintain rigidity over time and repeated service if needed.

Performance
The promise of acoustic suspension is accuracy, transient control, and bass behavior that feels natural in a room. The Model Seven delivers on that promise with a sense of ease. At High End Munich, where the finished design followed a prototype preview at AXPONA 2023, KLH demonstrated the speaker with a Bryston BR-20 preamp and streaming DAC feeding a Bryston 4B3 amplifier. The system let the Sevens show off scale, poise, and an ability to make themselves invisible.
On Holly Cole’s cover of "I Can See Clearly Now" the presentation had that quality of a holographic image that extends well beyond the cabinets. Cole’s voice sat solidly in space, uncolored and intact even as the arrangement filled in around her. The standup bass lines revealed both weight and the texture of the plucked string, including the decay that many speakers blur. Percussion had snap without glare. The message was clear. The Model Seven is expressive and dynamic, but it is not flashy. It plays music with a kind of grounded confidence that makes you stop thinking about equipment.
Part of what you hear as effortlessness is the larger woofer working within the linear comfort zone that the sealed air spring provides. There is no sense of a tuning peak or a port contributing a note of its own. Low end lines simply start and stop when they should. The wide baffle helps as well, reducing energy that would otherwise wrap around the cabinet and reflect from nearby boundaries. That translates into cleaner first arrival sound and more stable imaging, especially in rooms where the speakers cannot be pulled far from the wall.
Sensitivity and power handling give you flexibility with electronics. At 91 decibels in room, the Model Seven will come alive with moderately powered amplifiers, yet it scales with more robust gear. It is rated for 250 watts continuous and 1,000 watt peaks, so dynamic headroom is not an issue. In practice, this means real world crescendos feel relaxed rather than compressed and bass keeps its shape at higher levels. If you enjoy large orchestral pieces, powerful rock tracks, or cinematic scores, the Model Seven can reproduce them at convincing levels without losing finesse on smaller acoustic material.
Because it is sealed, low frequency behavior follows that gentle 12 decibel per octave alignment that works hand in hand with room gain. In many rooms, you will hear useful energy below the minus ten decibel 26 hertz point simply because the room adds support at very low frequencies. This is one of the reasons acoustic suspension designs still have a devoted following among listeners who value realism over mere extension figures. The bass sounds like real instruments in real spaces rather than like a curve engineered to impress.

Overall Thoughts
The KLH Model Seven is more than just a new product launch. It represents a continuation of the KLH legacy and a statement about the enduring value of acoustic suspension design. By combining the first ever 13 inch acoustic suspension woofer with a carefully engineered three way system, KLH has created a loudspeaker that bridges the gap between vintage inspiration and modern capability.
It is a large, substantial speaker, yet it has been designed with real living rooms in mind. Its shallow depth, ability to sit close to walls, and customizable sound make it practical as well as ambitious. Its handcrafted veneer, vintage inspired details, and personalization options make it as visually satisfying as it is sonically impressive.
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Details & Specs
KLH HISTORY
KLH Audio was established in 1957 by Henry Kloss, Malcolm Low & Josef Hofmann. Henry Kloss first made his name as part of Acoustic Research with the introduction of the AR-1 and its patented acoustic suspension system that revolutionized the high-fidelity industry. Henry Kloss later left Acoustic Research to start KLH and immediately began marketing his own acoustic suspension loudspeaker designs.
KLH marketed their own family of loudspeakers throughout the 1960’s and 1970’s – highlighted by the well-known Model Five as well as the very highly regarded Model Nine electrostatic loudspeaker. The company later expanded into FM radio with their very successful Model Eight and soon began building their own turntables such as the Model 11 & Model 23. Henry Kloss was a true trailblazer in the world of audio and audio electronics.
ACOUSTIC SUSPENSION
First introduced in 1954, the acoustic suspension principle has long been regarded as the most accurate of all the loudspeaker designs available. Edgar Villchur and Henry Kloss worked together to bring the original Acoustic Research AR-1, and several later models, including the well-known AR-3, to market. Several brands, including KLH, would adopt the acoustic suspension principle and use it in their loudspeakers designs for many years to come. Acoustic suspension dominated the speaker market well into the 1970’s.
In an acoustic suspension design, the volume of air inside the enclosure serves as a cushion of air, or air spring, to provide a restoring force for the woofer cone. The air inside the enclosure essentially becomes the dominant part of the woofer’s suspension. Since the volume of air inside the enclosure is more linear than the mechanical parts of the woofer’s suspension, this enables the woofer’s diaphragm to move in a more linear fashion. This enables the driver to operate at higher excursions with less distortion than more traditional bass-reflex type systems. Acoustic suspension systems are regarded all over the world for their greater accuracy, tighter bass transients and exceptional bass resolution and texture.
MODEL SEVEN DESIGN
The KLH Model Seven is a 3-way design featuring a wide-baffle enclosure, high-volume displacement 13” woofer, 5” dedicated midrange, and 1” dome tweeter. The wide baffle enclosure ensures the sound is focused primarily in front of the loudspeakers and minimizes the amount of sound that wraps around and behind the loudspeaker. This reduces sound reflecting off the nearby rear and side walls of the listening room that compromise precision in imaging and soundstage.
Larger diameter woofers generate cleaner extended deep bass than smaller woofers. The larger cone area and suspension parts of the Model Seven woofer allow for a much larger volume displacement. It’s the high-volume displacement woofer in combination with the acoustic suspension principle that results in tighter bass transients and cleaner, better-defined, bass extension. In the car world there’s an old saying “there’s no replacement for displacement”. The same is true for acoustics and loudspeakers.
The dedicated 5” midrange is housed in its own internal enclosure. It’s the midrange driver’s responsibility to reproduce the most significant, middle part, of the audio spectrum. This portion of the audio band contains the vocals and musical instrument fundamentals which are most familiar to the human ear; and where accuracy, or inaccuracies, are most easily detected. In a three-way design a dedicated midrange means the driver can be optimized for this specific purpose since it doesn’t have the additional burden of reproducing lower & higher frequencies in the audio band. This results in truly remarkable clarity of vocals & instruments with less distortion.
| Model | Model Seven |
|---|---|
| Frequency Response | 38Hz – 20,000Hz ±3dB |
| Low Frequency Extension | -10dB @ 26Hz |
| In-Room Sensitivity | 91dB @ 2.83V / 1m |
| Free-Field Sensitivity | 88dB @ 2.83V / 1m |
| Power Handling | 250 Watts / 1,000 Watts Peak |
| Recommended Amplification | 20 Watts to 250 Watts |
| In-Room Maximum SPL | 115dB |
| Maximum Output @ 45Hz | 111dB |
| Impedance | 4 Ohms |
| -6dB Horizontal Dispersion | 140° |
| Features | Three-Position Acoustic Balance Control |
| Crossover Frequency | MF: 300Hz (3rd order electro-acoustic) HF: 3,500Hz (3rd order electro-acoustic) |
| High Frequency Driver | 1" Aluminum Dome with soft rubber suspension |
| Mid Frequency Driver | 5" Pulp-Paper Cone with ½ roll rubber suspension and non-resonant die-cast aluminum frame |
| Low Frequency Driver | 13" Pulp-Paper Cone with ½ roll rubber suspension and non-resonant die-cast aluminum frame |
| Enclosure Material | Structurally Reinforced ¾" & 1" Medium Density Fiberboard |
| Inputs | Five-Way Gold-Plated Binding Posts |
| Height | 41" (104.1cm) with riser base 36" (91.4cm) without riser base |
| Width | 18" (45.7cm) |
| Depth | 12.25" (31.1cm) with riser base 9.75" (24.8cm) without riser base |
| Weight | 68 lbs (30.8kg) without riser base 78.8 lbs (35.7kg) with riser base |
| Included Accessories | 3° Slant Riser Base |





