Technology the Masterpiece Models Share
When Gayle Sanders and Ron Sutherland were doing their early experiments on electrostatic panels, they had discovered a way to produce deeper bass and more output than any previous electrostatic, but their large, new design was still limited on how it dispersed the sound. It was late one night that the two of them came up with the idea for a horizontally curved panel.
When they introduced this at the Consumer Electronics Show in 1982 they called it their CLS panel and it won a Design and Engineering award. To this day, MartinLogan uses Curvilinear technology in all of their electrostatic panels.
Back in those same early days of MartinLogan’s success, audiophiles who loved the sound were mating up all kinds of different exotic subwoofers with their panels to create a sound system capable of reaching down to the lowest tones while still giving that clear electrostatic sound. It was not too long before the team at MartinLogan decided it would be best if the subwoofer was fully integrated with the speaker system and we began to see MartinLogan electrostatic speakers have built-in bass drivers.
Most of the technology the Masterpiece speakers share are improvements overtime on these concepts of how to overcome any limitations of an electrostatic speaker. Let’s take a look at the more important ones you’ll find in all of the Masterpiece series.
MicroPerf Stator Technology
This tech has been developed over time which allows the new CLS XStat panels to have almost twice the exposed electrostatic surface that produces sound as other electrostatic panels of the same size. With electrostatics, you have to hold the panel between a charged grid. MartinLogan developed what they call ClearSpar™ spacers that keep a perfect level of tension on the diaphragm. Not only does this design yield great results, but it also makes the MartinLogan panel “see-through” which adds to their allure.
Controlled Dispersion Sound Radiation
Unless a speaker is playing outside atop a flagpole with no walls, floor, or ceiling, those surfaces have a huge impact on the way sound arrives to our ears. When sound bounces off side walls and the ceiling before it reaches our ears, those late arrival sounds blur the sound arriving directly from the speaker itself. Interestingly, sound that bounces off the back wall seems to enhance the overall audio effect.