To get the best results on your work desk, you’ll want to form an equilateral triangle with the speakers equally spaced apart so that you’re also sitting at an equal distance from the speakers. Play around with the angle of the speakers until the vocals sound like they are in the middle. Audioengine desktop stands will stabilize the position you set and they will improve the sound of the bass as well.
The stereo image really came alive and shined as a near-field monitor on our work desk when we plugged the USB output from our laptop into the HD4 and played a modern recording by the electro-pop duo Chromeo.
Recorded in 2020 while under lockdown for a light-hearted EP titled “Quarantine Casanova,” the song “Clorox Wipe” balances a nostalgic attitude with modern recording techniques. Featuring cool vintage synths, retro talkbox effects, disco basslines, and plucky guitars, the HD4 highlighted all of these instruments in the stereo field with warmth and clarity.
We really enjoyed listening to the fresh new take on a vintage vibe while working in front of the HD4 powered speakers. The tuneful sense of timing made working from home feel fun and energizing. Audioengine speakers generally do a great job of warming up the sound — that’s most likely because of the analog amps inside. Overall, the rhythm and pacing of the sound coming out of the HD4 inspired us to tap our feet along with the music.
As bookshelf speakers, there’s no argument these are designed to sound best when listening up close. However, the HD4 performed better than we anticipated as a tabletop setup In our living room space. We used the U-Turn Audio Orbit Plus Turntable which is a great turntable for the money. It has a phono stage built-in, and we used this to play back a vinyl pressing of “Warrior” — recorded in 1984 by the classic rock outfit, Scandal.
This recording features overdubbed rock guitars, edgy lead vocals from Patty Smyth, and a big studio budget. It’s the quintessential “arena rock” sound that uses analog recording techniques characteristic of that era.
The rhythm and pacing of the bass guitar came alive with a tuneful sense of timing that made us tap our feet along with the music while preparing food in the kitchen. When we cranked up the volume to 75%, we were hearing a room-filling sound that made us want to sing along with this mega-anthem. We even belted out the chorus as though we were attending a live concert! Overall, the HD4’s pack a warm musical punch in an open room that’s easy to get lost in.
The user-friendliness of Audioengine’s design really came alive when we switched our audio source from vinyl to streaming Qobuz over Bluetooth without having to touch anything on the speaker. This allowed us to continue our open-room session from our couch without interrupting the mood.
First, we streamed high-quality audio with Qobuz from an iPhone to the HD4 over regular Bluetooth. The sound was warm but clean, overall. The mids and highs were distinct and clear, and the soundstage filled our living room space. The volume of the presentation was more than suitable for cooking or enjoying an activity with music playing in the background. We noticed the presentation was also room-filling enough to entertain guests or host a dance party.
We wanted to test the sound of the aptX HD, so we streamed Qobuz using a Google Pixel 3a directly to the HD4. This is where the clarity of details in the music became a lot more apparent and a little closer to the sound of vinyl. The separation of details in the stereo image opened up wider with dynamics in the music we couldn’t hear previously. This was especially noticeable during a remastered version of Peter Gabriel’s smash hit “Sledgehammer.”
Recorded in 1985 as the lead single for Peter Gabriel’s fifth studio album “So,” the song features a powerful rhythm section. We could hear the kick drum and the "crack" of the snare landing musically in the center of the HD4’s stereo image. When we spread the speakers a little further apart, the kick and snare drums retained their focal points in the center of the mix distinctly with a warm and musical tone. This helped create more depth and improved the separation of details coming out.
Turning the volume knob past 50% presented a stereo field with enough volume to fill our living room with good sounding music and make us tap our feet to the beat. Overall, aptX HD presented good quality sound in an open-room scenario that exceeded our expectations for such a small compact speaker system. Having a greater range with Bluetooth 5.0 to roam around the house freely was a subtle plus. Still having playback controls with our phones from the couch or another room without interruptions was also very handy.