{"title":"Stereo Preamps","description":"","products":[{"product_id":"pro-ject-pre-box-s2-digital-preamplifier-black","title":"Pro-Ject Pre Box S2 Digital Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003ch3 class=\"hp-title\"\u003eCompany \u0026amp; Product Overview\u003c\/h3\u003e\n\u003cp\u003ePro-Ject Audio Systems was founded in 1990 by Heinz Lichtenegger. Their driving goal since their inception has been to provide music lovers with great value products. The \u003cstrong\u003e\u003ca href=\"https:\/\/www.audioadvice.com\/pro-ject-debut-carbon-turntable.html\"\u003ePro-Ject Debut Carbon\u003c\/a\u003e\u003c\/strong\u003e is one shining example of this philosophy. It has become known as one of the best deals in high-performance audio and is the best selling turntable in the world under $400. Pro-Ject Audio has factories in the Czech Republic and Slovakia with their R\u0026amp;D headquarters outside of Mistelbach Austria.\u003c\/p\u003e\n\u003cp\u003eThe company has two divisions, one specializing in all things related to turntables and another division making small audio components that are known for over-delivering for their size.\u003c\/p\u003e\n\u003cp\u003eWhile the team at \u003ca href=\"https:\/\/www.audioadvice.com\/shop-by-brand\/pro-ject.html\"\u003ePro-Ject Audio Systems\u003c\/a\u003e are friends of ours, we must admit that we think they have way too many products. Right now there are 33 different models of turntables and a full 7 different series of electronics. The sheer volume is overwhelming, making it easy to get numb to their product releases.\u003c\/p\u003e\n\u003cp\u003eThe downside is that when this happens, a real jewel may not get the attention that it deserves. One such jewel is their latest Digital Box design, the \u003ca href=\"https:\/\/www.audioadvice.com\/pro-ject-pre-box-s2-digital-preamplifier.html\"\u003e\u003cstrong\u003ePro-Ject Pre Box S2 Digital\u003c\/strong\u003e\u003c\/a\u003e. It’s a digital micro preamplifier that can fully unfold MQA files.\u003c\/p\u003e\n\u003cp\u003eIf you aren’t familiar with \u003ca href=\"https:\/\/www.audioadvice.com\/videos-reviews\/what-is-mqa-audio\"\u003e\u003cstrong\u003eMQA\u003c\/strong\u003e\u003c\/a\u003e, it stands for Master Quality Audio, and has been gathering momentum over the past year for its ability to deliver very high-resolution audio over streaming. Tidal, for example, is currently offering a growing library of MQA audio files.\u003c\/p\u003e\n  \u003ch3 class=\"hp-title\"\u003eDesign \u0026amp; Build Quality\u003c\/h3\u003e\n\u003cp\u003eLike most of the Pro-Ject Box designs, the Pre Box S2 Digital is tiny! It is 4” wide, 4” deep, and only around 1.25” tall. That is small enough to easily fit in a messenger bag. It is housed in a very nicely finished all aluminum box. Like most of the Box Designs, you get a choice of silver or black. \u003c\/p\u003e\n\u003cp\u003eThe front panel has a full-sized headphone jack on one end and a small, but great feeling volume knob on the other end. In the middle is a tiny color display window flanked on either side by two buttons that let you select the input, get into the menu, and change the filters.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/www.audioadvice.com\/wordpress2\/wp-content\/uploads\/2018\/02\/pro-ject-pre-box-s2-digital.jpg\" alt=\"pro-ject pre box s2 digital\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe rear panel has inputs for \u003cstrong\u003eUSB B, coaxial digital, optical digital and a USB micro power connection\u003c\/strong\u003e. On the other end is a pair of \u003cstrong\u003egold-plated RCA analog outputs\u003c\/strong\u003e. All of the connections feel very solid.\u003c\/p\u003e\n\u003cp\u003eA small \u003cstrong\u003eremote control is included in the box\u003c\/strong\u003e, which gives you control over most of the functions of the unit. In addition, you can access the play\/pause\/forward\/back controls from the remote. When connected via USB, you can even control them while streaming music from your computer.\u003c\/p\u003e\n\u003cp\u003eWith its very small footprint, the Pre Box S2 Digital will probably find its way into many different listening situations. It can be at home on your desktop either as a \u003ca href=\"https:\/\/www.audioadvice.com\/headphones-portables\/headphone-amplifiers-dacs.html\"\u003eheadphone amp\u003c\/a\u003e, or \u003ca href=\"https:\/\/www.audioadvice.com\/headphones-portables.html?cat=26\u0026amp;product_class=522\"\u003eDAC\u003c\/a\u003e for your computer speakers or both.\u003c\/p\u003e\n\u003cp\u003eAt the other end of the spectrum, it can hide out anywhere in your audio rack as a full-scale MQA capable DAC.\u003c\/p\u003e\n\u003cp\u003eFinally, since it can even be powered off the USB input, you can use it on the go with a laptop. Even though you would think of it as a home-based component, it is actually smaller than some of the portable DACs that we carry.\u003c\/p\u003e \u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/www.audioadvice.com\/wordpress2\/wp-content\/uploads\/2018\/02\/pro-ject-pre-box-s2-rear.jpg\" alt=\"pro-ject pre box s2 rear panel\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n  \u003ch3 class=\"hp-title\"\u003eFeatures \u0026amp; Technology\u003c\/h3\u003e\n\u003cp\u003eWhile it may be tiny, the Pre Box S2 Digital is packed with features! We popped the cover off to take a peek inside and found it to be totally stuffed with components. Upon closer examination, you’ll see that it’s a \u003cstrong\u003ecompletely dual mono design\u003c\/strong\u003e, with each channel of the signal path mirrored. Pretty impressive for a $399 box!\u003c\/p\u003e\n\u003cp\u003ePro-Ject opted for the \u003cstrong\u003eESS Sabre ESS9038 dual DAC\u003c\/strong\u003e in the Pre Box S2 Digital -- the highest level DAC they have ever used. These dual DACs are \u003cstrong\u003ecapable of up to 32-bit PCM 768kHz and DSD512\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt’s important to point out that MQA unfolding and the higher resolution digital rates are \u003cstrong\u003eonly available on the USB input\u003c\/strong\u003e. The optical and coax digital inputs do not do MQA, but still go up to a very respectable 24\/192. Pro-Ject made the decision to limit these two to keep the price down. If they made it available on all inputs, we would expect it to cost around twice the price. Most people are going to be using the desktop or laptop version of Tidal to play back MQA files, and the USB connection is best suited for that application.\u003c\/p\u003e\n\u003cp\u003ePro-Ject also spent a lot of time developing the clock used in the Pre Box S2 Digital. While digital audio can be great, jitter is one downside that we see often. If the digital signals are not put back together with the same timing as the original recording, the music seems to lack emotion, no matter how clear it may sound. The Pre Box S2 Digital has \u003cstrong\u003eone of the lowest jitter rates we have ever seen\u003c\/strong\u003e, far surpassing some much more expensive units.\u003c\/p\u003e\n\u003cp\u003eWhile it would have been easy for Pro-Ject to skimp on components, especially considering how inexpensive this unit is, they instead opted for some very high-end parts.  It is quite unusual to see \u003cstrong\u003eorganic polymer capacitors\u003c\/strong\u003e and \u003cstrong\u003ethin film miniMELF resistors\u003c\/strong\u003e in the power supply inside a box selling for only $399! Pro-Ject even used a \u003cstrong\u003e4 layer gold plated circuit board\u003c\/strong\u003e with extra shielding.\u003c\/p\u003e\n\u003cp\u003eSince Pro-Ject felt this unit would mainly be used in USB mode, they also spent a lot of R\u0026amp;D time coming up with a way to reduce all of the noise that is present on a typical computer USB connection. Many components use passive filtering, but Pro-Ject used a special combination of passive and active filtering which brought the \u003cstrong\u003enoise levels to below -130db\u003c\/strong\u003e. This is a ridiculously low number! All of this translates into great sound with a super low noise floor. When listening to this unit, you never get any trace of background noise.\u003c\/p\u003e\n\u003cp\u003eIn a trend we are starting to see on some other DAC’s, the Pre Box S2 Digital also has some \u003cstrong\u003efilter options that allow you to shape the sound\u003c\/strong\u003e. Like most we have tested, these are subtle and recording dependent, but can make a bright or edgy recording sound better. There are 7 choices that you can easily flip through.\u003c\/p\u003e\n\u003cp\u003eThe output of the analog jacks is right around 2 volts, so you can use this box as an audio DAC by just setting its output to 0, which is full gain on this unit. If you have a fairly sensitive power amplifier, it will even make a great digital preamp with its three inputs.\u003c\/p\u003e\n\u003cp\u003eThe headphone amp is another ESS design and it \u003cstrong\u003ecan support up to 600-ohm headphones\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFinally, for you Roon fanatics out there, \u003cstrong\u003ethe Pre Box S2 Digital is also Roon capable\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3 class=\"hp-title\"\u003eSetup\u003c\/h3\u003e\n\u003cp\u003eWe set up the Pro-Ject Pre Box S2 Digital with a Windows 10, Windows 7, and Apple MacBook Pro.\u003c\/p\u003e\n\u003cp\u003eWe’ll start by talking about the PC setup, so you Mac users can jump ahead to the next paragraph.\u003c\/p\u003e\n\u003cp\u003eIf you are Windows-based, you will need to do a few things first if you want your Pre Box S2 Digital to work properly. We recommend that you skip the CD that comes with the unit and instead go straight to the Pro-Ject Audio website. From there, navigate to the \u003ca href=\"https:\/\/www.audioadvice.com\/pro-ject-pre-box-s2-digital-preamplifier.html\"\u003eproduct page for the Pre Box S2 Digital\u003c\/a\u003e. You’ll have to enter in your serial number to be able to download the latest software and installing it takes a little time. You’ll have to confirm steps a few times to complete the process, so you can’t just set it to install and forget it, unfortunately. If you had already powered on your S2, you’ll also need to cycle power.\u003c\/p\u003e\n\u003cp\u003eTo take full advantage of the Pre Box S2 Digital, you will need a Tidal account. The web-based app will not let you do MQA, so you will need to download the full program from their site. You’ll get the best sound out of MQA if you let the unit do the unfolding, so there is another step inside Tidal you need to do. Then, there are a couple of more steps.\u003c\/p\u003e\n\u003cp\u003eFirst, using the desktop app, click on the music quality button at the bottom, which will be labeled Standard, High, or HIFI. (For Mac users this is under settings in the menu bar) This will bring up a window where you will choose the S2 for the sound output and click on Master which will force Tidal to give you the best audio possible, no matter the coding. You’ll then want to hover your mouse over the words “S2 Output” until a settings icon pops up on the left end. Click on this and you will have three choices: Use Exclusive Mode, Force Volume, and Pass Thru MQA. Be sure to check all three boxes.\u003c\/p\u003e\n\u003cp\u003eOnce you have set all of this up correctly, the S2’s display will light up showing MQA when you are playing that type of file, and you’ll have a little blue light to indicate it is doing the unfolding. You’ll also see the bit rate of the file in the lower part of the display.\u003c\/p\u003e \u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/www.audioadvice.com\/wordpress2\/wp-content\/uploads\/2018\/02\/pro-ject-pre-box-s2-lifestyle.jpg\" alt=\"pro-ject pre box s2 on table next to laptop\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch3 class=\"hp-title\"\u003ePerformance\u003c\/h3\u003e\n\u003cp\u003eWe tested the unit with a few different headphones including the \u003ca href=\"https:\/\/www.audioadvice.com\/grado-rs2e-reference-series-over-ear-headphones-black.html\"\u003e\u003cstrong\u003eGrado RS2\u003c\/strong\u003e\u003c\/a\u003e, \u003ca href=\"https:\/\/www.audioadvice.com\/videos-reviews\/audioquest-nightowl-carbon-headphone-review\"\u003e\u003cstrong\u003eAudioQuest Night Owl\u003c\/strong\u003e\u003c\/a\u003e, and \u003ca href=\"https:\/\/www.audioadvice.com\/focal-elear-over-ear-headphones.html\"\u003e\u003cstrong\u003eFocal Elear\u003c\/strong\u003e\u003c\/a\u003e. We felt these were probably representative of what people might be using with this cool little box. Just for fun, we grabbed an \u003ca href=\"https:\/\/www.audioadvice.com\/audioquest-dragonfly-red-usb-digital-to-analog-converter-1.html\"\u003e\u003cstrong\u003eAudioQuest DragonFly Red\u003c\/strong\u003e\u003c\/a\u003e for some comparisons as well. Connection to the S2 was made with a \u003cstrong\u003eTransparent Audio USB cable\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIn recent months, Tidal has added a ton of \u003ca href=\"https:\/\/www.audioadvice.com\/videos-reviews\/what-is-mqa-audio\"\u003eMQA\u003c\/a\u003e content. In our testing, every single artist that we searched for (mostly classic rock, we must admit) had albums available that were done in MQA as well as the same identical album without MQA.\u003c\/p\u003e\n\u003cp\u003eOur search included Jackson Browne, Tom Petty, The Eagles, The Beach Boys, The Rolling Stones, Elton John, Yes, Diana Krall, Tina Turner, The Doors, Van Halen, Chicago, America, Steely Dan, John Coltrane, McCoy Tyner, Charlie Parker, Duke Ellington, and Ella Fitzgerald, and I am sure we forgot a few as we gave this unit a long listen! For all of these artists, there are one or more MQA albums to play around with.\u003c\/p\u003e\n\u003cp\u003eAs with many new technologies, there are two camps in the audio world regarding MQA. Some like it and some do not. We think you should listen and form your own opinion. MQA allows a higher bitrate file to be streamed than we have ever seen in the past. In some cases, we were able to listen to 192k files. One thing we did notice is that sometimes there seems to be “creative re-mixing” when the file gets converted to MQA. We noticed some instruments moved from their original location and on a couple of tracks a vocal passage that was originally in the far left, got moved to the far right. Interestingly enough, it seemed like the ones that were altered did not sound as good to us as the non-MQA file. When you do these comparisons yourself, be sure to also match the volume, as MQA is normally around 6-8 dB louder than the normal file.\u003c\/p\u003e\n\u003cp\u003eAll of that being said, we found some shining examples of MQA during our search that really show off its advantages in a big way. A few real winners include:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eDoors, “Riders on the Storm”\u003c\/li\u003e\n  \u003cli\u003eYes, “Mood for a Day” (off the album \u003cem\u003eFragile\u003c\/em\u003e)\u003c\/li\u003e\n  \u003cli\u003eDiana Krall, “Like Someone in Love” (off the album, \u003cem\u003eTurn Up the Quiet\u003c\/em\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe improvement in the \u003cstrong\u003esubtle nuances of the music, including extra warmth and a much larger soundstage\u003c\/strong\u003e, was really apparent in these cuts. Plus they all had what we felt to be \u003cstrong\u003ecloser to an analog sound\u003c\/strong\u003e. This tells us that the Pro-Ject Pre Box S2 Digital has one heck of a DAC in it.\u003c\/p\u003e\n\u003cp\u003eThe general presentation of the \u003cstrong\u003ePro-Ject Pre Box S2 Digital is very neutral with just a slight hint of lean\u003c\/strong\u003e -- but that is ever so slight. We listened to it for over 4 hours straight using both MQA and non-MQA and never had any sense of listening fatigue at all, which is a great sign. It truly is a very musical unit. When you have deep bass tracks they hit with a ton of impact and a clarity to the bass that we have never heard on a $400 DAC. Pro-ject’s circuitry to reduce jitter also works very well as we found ourselves tapping our toes on a lot of rhythmic tracks.\u003c\/p\u003e\n\u003cp\u003eNext, we decided to \u003cstrong\u003ecompare the Pre Box S2 Digital against the Dragonfly Red\u003c\/strong\u003e, which can also do MQA. If you decide to do some comparing, make sure that you’re using the exact same recording. Some albums will have special remixed editions, so be sure the MQA and non-MQA come from the same album. While the Dragonfly Red is an absolutely amazing unit for $200, we definitely heard more subtle nuances and a bigger soundstage using the Pre Box S2 Digital. In our opinion, \u003cstrong\u003eit’s well worth the extra $200\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBefore we touch on this next observation, it’s time for an Audio Advice public service announcement. \u003cstrong\u003eWe are big believers in saving your ears.\u003c\/strong\u003e Your hearing is very important and trust our veterans when we say that you will still want to enjoy great audio well into retirement!\u003c\/p\u003e\n\u003cp\u003eWith that said, there are some of you out there that like to listen at high volume levels. For some of you, the Pre Box S2 Digital may not satisfy your demands, particularly if you are using headphones that are hard to drive. Using the Focal Elear, for example, we found a comfortable listening volume 2 clicks under full volume, but we recognize that this might not be loud enough for some of you. This is one area where the Dragonfly Red outmatches the Pre Box S2 Digital. \u003cstrong\u003eIt’s able to drive even the most inefficient headphones at a much higher level.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn summary, we have yet to hear anything that sounds as good as this little box does for $400 -- and it can handle MQA!\u003c\/p\u003e\n\u003cp\u003eWe know that some of you are going to ask how it compares to the \u003cstrong\u003e\u003ca href=\"https:\/\/www.audioadvice.com\/chord-mojo.html\"\u003eChord Mojo\u003c\/a\u003e\u003c\/strong\u003e. At $579 we feel the Mojo has better pacing and a more effortless sound. The Mojo also has more output to drive a power amp directly and a more powerful headphone stage. With that said, $400 is an awesome value for the Pre Box S2 Digital.\u003c\/p\u003e\n\u003ch3 class=\"hp-title\"\u003eOverall Recommendation\u003c\/h3\u003e\n\u003cp\u003eAs we said, there are several use cases for this great little box. We feel the typical case will be at someone’s desk, driving either a pair of \u003ca href=\"https:\/\/www.audioadvice.com\/headphones-portables\/headphones.html\"\u003eheadphones\u003c\/a\u003e or a pair of \u003ca href=\"https:\/\/www.audioadvice.com\/home-audio\/speakers\/computer-speakers.html\"\u003epowered speakers\u003c\/a\u003e like the \u003cstrong\u003e\u003ca href=\"https:\/\/www.audioadvice.com\/audioengine-a5-powered-speakers.html\"\u003eAudioengine A5+\u003c\/a\u003e\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt will let you discover the very cool world of MQA without breaking the bank. You could also use it as a travel DAC, powering it off of your laptop. This is a shade less convenient than some of the DAC’s that have rechargeable batteries or can run off of your smartphone, but it’s an option.\u003c\/p\u003e\n\u003cp\u003eIn a nutshell, if you are interested in checking out MQA or want to upgrade your computer audio setup, the \u003cstrong\u003e\u003ca href=\"https:\/\/www.audioadvice.com\/pro-ject-pre-box-s2-digital-preamplifier.html\"\u003ePro-Ject Pre Box S2 Digital\u003c\/a\u003e\u003c\/strong\u003e is a steal!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pro-Ject","offers":[{"title":"Black","offer_id":41287604764756,"sku":"PRO:PREBOXS2-BLK","price":399.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":41287604797524,"sku":"PRO:PREBOXS2-SLV","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/httpswww.audioadvice.compubmediacatalogproductprpro-preboxs2-blk_1.jpg?v=1718137234"},{"product_id":"anthem-str-2-channel-preamplifier-black","title":"Anthem STR Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\u003cul\u003e\n\u003cli\u003eHigh-resolution preamplifier section\u003c\/li\u003e\n\u003cli\u003eAnthem Room Correction (ARC) optimizes in-room response for perfect sound\u003c\/li\u003e\n\u003cli\u003eBass management for two subwoofers, in mono or stereo\u003c\/li\u003e\n\u003cli\u003eUp-sampling of lower-resolution sources to 32-bit\/192kHz\u003c\/li\u003e\n\u003cli\u003eAsynchronous USB Audio Input supports 32-bit\/384kHz PCM, and DSD 2.8 \/ 5.6 MHz sources\u003c\/li\u003e\n\u003cli\u003eCoaxial, optical, and AES\/EBU inputs up to 192kHz\u003c\/li\u003e\n\u003cli\u003eMM and MC phono, balanced XLR, and single-ended analog inputs\u003c\/li\u003e\n\u003cli\u003eSix pre-RIAA curves plus adjustable settings for playing older records accurately\u003c\/li\u003e\n\u003cli\u003eAnalog Direct mode\u003c\/li\u003e\n\u003cli\u003eAdjustable analog input levels to match sources, minimize noise and prevent distortion\u003c\/li\u003e\n\u003cli\u003eGraphic front panel display for easy setup and navigation\u003c\/li\u003e\n\u003cli\u003eBalanced output for all channels including the two subs\u003c\/li\u003e\n\u003cli\u003eHome Theater Bypass Mode works without having to turn power on and includes RCA\/XLR input for two subs\u003c\/li\u003e\n\u003cli\u003eCreate up to 30 virtual inputs for setup flexibility\u003c\/li\u003e\n\u003cli\u003eControllable via Ethernet, RS-232, or supplied IR remote\u003c\/li\u003e\n\u003cli\u003eAvailable in Silver and Black Finishes\u003c\/li\u003e\n\u003cli\u003eCrafted in Canada\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e","brand":"Anthem","offers":[{"title":"Black","offer_id":41288051228756,"sku":"ANTHEM:STR-PREAMP-BLK","price":4299.99,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":41288051261524,"sku":"ANTHEM:STR-PREAMP-SLV","price":4299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/front_10_1.jpg?v=1718138568"},{"product_id":"rotel-rc-1572-stereo-preamplifier-silver-astock","title":"Rotel RC-1572 Stereo Preamplifier","description":"\u003cp\u003eThe heart of an uncompromising audiophile stereo “separates\" system is the preamplifier. Separate components hold the promise of the best possible fidelity, since each device is optimized for its role in the sound reproduction chain. The new RC-1572 stereo preamplifier leverages the design of our flagship RC-1590 preamplifier including its 32 bit\/768kHz AKM stereo digital-to-analog converter to handle critical signal conversion. Among many refinements, the RC-1572 utilizes relay switching for analog sources instead of an IC based switch to maintain the integrity of the signal path for RCA, phono and XLR inputs.\u003c\/p\u003e\u003cp\u003eBeneath the clean lines and user friendly fascia of the RC-1572 lies highly sophisticated engineering. Both analog and digital sources have been given equal consideration as today's listener often has several digital sources, but may also enjoy legacy formats like vinyl LPs. A large toroidal transformer and regulated power supply ensures stable current and voltage requirements to all stages under dynamic conditions. Premium circuit components have been selected only after extensive listening evaluations. Careful routing of all low level signals has been practiced to ensure impressive signal to noise levels. The result is effortless musical dynamics, impressive detail and scale.\u003c\/p\u003e\u003cp\u003eThe RC-1572 stereo preamplifier is also extremely flexible. Four digital inputs (2 coax and 2 optical), plus the rear PC-USB handle digital sources up to 32\/384 resolution. The 4 inputs are designed for sources such as TV set-top boxes, flat panel TVs or Blu-ray players for stunning playback. Importantly, it is possible to fix the level and set an auto-on option with digital inputs for use with devices that provide their own volume control for convenient “hands-off\" use.The PC-USB input supports DSD signals. Integrated Bluetooth aptX is provided. Analog inputs include balanced XLR connectors, perfect for connecting the RCD-1572 via its XLR outputs, in addition to four pair of conventional RCA inputs. A moving magnet phono stage rounds out the source capability. XLR and single ended outputs are provided along with a mono subwoofer output, as are two 12-volt triggers to control on\/off operation of an amplifier and\/or other components. For custom integration, control options include RS232 on a standard DB9 connector, as well as an Ethernet port for IP control and software updates. In short, the RC-1572 is a tremendous value and the perfect upgrade for owners of older analog-only preamplifiers.\u003c\/p\u003e","brand":"Rotel","offers":[{"title":"Silver","offer_id":41288188526676,"sku":"ROTEL:RC1572-SLV","price":1299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/low--rc-1572_silver_front_4.jpg?v=1718139009"},{"product_id":"chord-electronics-prima-five-input-choral-preamplifier-black","title":"Chord Electronics Prima Five Input Choral Preamplifier","description":"\u003cp\u003ePrecision-machined from solid aircraft-grade aluminium billet, the Prima offers both remote control and front panel operation. Prima’s fascia offers volume and balance controls while its push-button controls atop the unit, offer input selection and tape line selection, the latter enabling its tape outputs to be selected for recording from source components.  Further design features include a top panel display, offering input choice and volume information, plus a clever porthole which enables the internal circuit board to be seen.\u003c\/p\u003e\n\u003cp\u003eThe Prima also benefits from the legendary proprietary Ultra-High-Frequency power supply, which is common to all Chord amplifiers. Prima offers fully balanced circuitry throughout and useful flexibility with five inputs, four unbalanced RCA and one balanced XLR, plus a balanced XLR output and a tape output. For added versatility, Prima’s audio circuit offers six independent input gain adjustments for the five inputs and low impedance outputs.\u003c\/p\u003e","brand":"Chord Electronics","offers":[{"title":"Black","offer_id":41288342863956,"sku":"CHORD:PRIMA-BLK","price":6830.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":41288342896724,"sku":"CHORD:PRIMA-SLV","price":6830.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/top-black-choral-preamp.jpg?v=1718139501"},{"product_id":"rotel-rc-1590-mkii-stereo-preamplifier-black","title":"Rotel RC-1590 MKII Stereo Preamplifier","description":"\u003cp\u003eThe heart of the RC-1590MKII begins with the power supply featuring dual in-house manufacture toroidal transformers. The transformers are physically and electrically isolated supplying dedicated analog and digital supply voltages to all critical circuits through low ESR slit-foil capacitors eliminating unwanted distortion and an extremely low noise floor.\u003c\/p\u003e\n\u003cp\u003eDigital source inputs are processed utilizing an audiophile-grade Texas Instruments 32-bit\/384kHz Digital to Audio Converter (DAC) with custom-engineered, proprietary acoustically tuned external output filter circuits rendering even the finest details with exceptional clarity and exact positing.\u003c\/p\u003e\n\u003cp\u003eAnalog signal paths feature DIRECT-PATH bypass modes eliminating unnecessary circuits maintaining signal integrity and further eliminating unwanted noise and distortion drawing you even closer and immersing you in the music.\u003c\/p\u003e\n\u003cp\u003eThe RC-1590MKII supports a full array of inputs ensuring connection to your favorite sources including a Moving Magnet Phono input for vinyl lovers, Analog, Digital, XLR Balanced, high-quality aptXTM and AAC wireless Bluetooth, and PC-USB (32-bit\/384kHz) supporting MQA unfolding and rendering as well as certified Roon Tested.\u003c\/p\u003e\n\u003cp\u003eDual RCA and XLR output connections provide the ultimate flexibility including bi-amplification installations. A subwoofer output is also included.\u003c\/p\u003e","brand":"Rotel","offers":[{"title":"Black","offer_id":41288520007764,"sku":"ROTEL:RC1590-MKII-BLK","price":2699.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":41288520040532,"sku":"ROTEL:RC1590-MKII-SLV","price":2699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/rc-1590mkii_silver.jpg?v=1718140103"},{"product_id":"rotel-rc-1572-mkii-stereo-preamplifier-black","title":"Rotel RC-1572 MKII Stereo Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eAs an essential component in a Hi-Fi audio stack, the RC-1572MKII's precision engineering begins with Rotel’s ultra-low noise power supply including a large, in-house manufactured toroidal transformer. The transformer design reduces stray radiated emissions and feeds a bank of slit-foil, low ESR capacitors delivering stable current to all sensitive circuits reducing noise and distortion with an ultra-quiet noise floor.\u003c\/p\u003e\n\u003cp\u003eA premium Texas Instruments 32-bit Digital to Analog converter (DAC) renders the digital sources supported by custom-tuned, proprietary external output filters ensuring the audio is effortlessly presented with exceptional dynamic detail and musical expression.\u003c\/p\u003e\n\u003cp\u003eAnalog, Digital, XLR, aptXTM, and AAC Wireless Bluetooth and Moving Magnet Phono Stage inputs ensure connection to your favorite music sources. Digital media files are supported via a 32-bit\/384kHz PC-USB connection supporting MQA and is fully certified Roon Tested for graceful access to the near limitless catalog of online music.\u003c\/p\u003e\n\u003cp\u003eThe RC-1572MKII is easy to operate using the included remote control and front panel display. Automatic power controls, signal sensing, fixed volume settings, and tone adjustments optimize customization settings.RCA, XLR, and subwoofer outputs are provided for installation flexibility. Ethernet and RS232 ensure simple integration with control systems and software updates.\u003c\/p\u003e\n\u003cp\u003eBring your CDs, Digital Files, and Vinyl allowing the RC-1572MKII to bridge generations of music and music lovers.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rotel","offers":[{"title":"Black","offer_id":41288534982740,"sku":"ROTEL:RC1572-MKII-BLK","price":1899.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":41288535015508,"sku":"ROTEL:RC1572-MKII-SLV","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/rc-1572mkii_silver.jpg?v=1718140150"},{"product_id":"audio-research-sp20-stereo-preamplifier","title":"Audio Research SP20 Stereo Preamplifier","description":"\u003cul\u003e\n\u003cli\u003eInteractive touchscreen allows adjustments such as input naming, gain offsets, volume presets, and tube hours.\u003c\/li\u003e\n\u003cli\u003eFeatures seven levels of voltage regulation, a large power supply, and a very low-noise R-core power transformer.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio Research","offers":[{"title":"Default Title","offer_id":41289245589588,"sku":"AR:SP20","price":9000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/httpswww.audioadvice.compubmediacatalogproductarar-sp20.jpg?v=1718142461"},{"product_id":"audio-research-ls27-vt-line-stage-preamp","title":"Audio Research LS27 VT Line Stage Preamp","description":"\u003cul\u003e\n\u003cli\u003eFeatures selectable High\/Medium\/Low gain settings for each input, BAL\/SE input selection, Left-Right Balance control, Invert, and Stereo\/Mono selection.\u003c\/li\u003e\n\u003cli\u003eNew refinements include bulk power-supply storage that has been substantially increased, a new power transformer, and costly new output and bypass coupling capacitors that bring new dynamic life.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Audio Research","offers":[{"title":"Default Title","offer_id":41289248211028,"sku":"AR:LS27","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/httpswww.audioadvice.compubmediacatalogproductarar-ls27.jpg?v=1718142470"},{"product_id":"mark-levinson-523-preamplifier","title":"Mark Levinson No. 523 Preamplifier","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePure Path discrete, direct coupled, fully balanced, dual-monaural signal path\u003c\/li\u003e\n\u003cli\u003eClass-A Main Drive Headphone output for up to 32-ohm headphones using main circuit\u003c\/li\u003e\n\u003cli\u003eDesigned and handcrafted in the USA\u003c\/li\u003e\n\u003cli\u003eDiscrete, balanced R-2R Ladder volume control for precision and performance\u003c\/li\u003e\n\u003cli\u003eSix analog line-level and phono inputs; balanced, single-ended, and headphone outputs\u003c\/li\u003e\n\u003cli\u003eClass-A Pure Phono stage with physically separated channels for MC and MM\u003c\/li\u003e\n\u003cli\u003eSelectable fourth-order, 80 Hz high-pass filter allows seamless integration of subwoofers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003ePure Path Circuit Design\u003cbr\u003e Since 1972, Mark Levinson has been dedicated to the uncompromising art of sound, with the guiding principle of musical purity above all else. To achieve that goal like never before, Mark Levinson engineers scoured company archives, ultimately developing a circuit-design philosophy called Pure Path. On a conceptual level, its hallmark principles include a discrete, direct-coupled, fully balanced, dual-monaural signal path that delivers unrestricted, uncompromised sonic purity. Far from merely arranging high quality components in an intelligent manner, Pure Path is the meeting of science and art: Mark Levinson engineers are tasked to create the best possible measured AND subjective performance. To quote Albert Einstein: “Everything should be made as simple as possible, but not simpler.\" Pure Path highlights in the No. 523 include Folded Cascodes, an R-2R Ladder volume control, the class-A Pure Phono stage, and class-A Main Drive Headphone amplifier output.\u003cbr\u003e\u003cbr\u003eAnalog Mastery\u003cbr\u003eMark Levinson components are designed around a Pure Path amplifier circuit concept that makes heavy use of a circuit design element called a cascode. Originally created for improving the bandwidth of vacuum tube circuits in radios, Mark Levinson engineers deploy cascodes in Pure Path circuit designs to both improve bandwidth and enhance linearity. A cascode combines two transistors so that they operate as a single composite device that functions like a single transistor, using the wanted characteristics of each component transistor, and rejecting the unwanted characteristics.\u003cbr\u003e\u003cbr\u003e Mark Levinson engineers began their design of the preamp gain stage with pairs of JFETs (junction field-effect transistors), chosen for their low noise and high gain. JFETs achieve these characteristics in part by being large, and with their large size comes nonlinear gain – or distortion. To mitigate this, BJTs (bipolar junction transistors) were added to the circuit. The BJTs exhibit very low input impedance and very high output impedance, which translates to excellent bandwidth and linearity. By creating a cascode of the JFETs and BJTs, they created a design with the best characteristics of both sets of devices. Engineers than connected the output of the cascode to another transistor of the opposite “gender.\" Current flows through it in the opposite direction to “turn around\" the direction of the signal current. This special connection is called a Folded Cascode and it is a hallmark of the Pure Path circuit: high gain with low noise, wide bandwidth, and excellent linearity. \u003cbr\u003e\u003cbr\u003eSuperior Volume Control\u003cbr\u003eThe basis of many volume controls is the venerable analog potentiometer – a device with a number of performance drawbacks. The mechanical connection wears out, creating scratching or crackling noises; it is nearly impossible to manufacture an identically performing pair, and mismatches in a stereo pair can cause level imbalances between the two channels; and due to their varied reaction to parasitic capacitances at different volume settings, the sound changes depending on where the volume is set. Rather than attempting to improve upon this flawed design, Mark Levinson engineers abandoned it. Instead, they employed a complex circuit architecture called an R-2R Ladder.\u003cbr\u003e\u003cbr\u003eIn the R-2R Ladder, a string of resistors, all with identical resistance (R), form the side of the ladder, with another set of resistors forming the rungs, all identically with double the resistance (2R). This unique circuit takes whatever current appears at its input and successively divides it in half at each “rung\" of the ladder. Different combinations of “rung\" currents can then be selected and added together, precisely delivering nearly any output current, and thereby, volume setting. An R-2R Ladder is a highly accurate device. The currents through the rungs are determined by fixed resistors, capable of very tight tolerances, able to be closely matched to one another in value. Analog switches “steer\" the currents, are precision devices, and have no mechanical contacts to wear out. In short, the R-2R Ladder solves all the problems inherent to potentiometer-based volume controls. That's why it is a cornerstone of Mark Levinson Pure Path design philosophy. \u003cbr\u003e\u003cbr\u003eMilitary Grade Components\u003cbr\u003eAll Mark Levinson equipment employs electronic components carefully chosen for their specific task. Gain-stage JFET pairs have high gain, low noise, low distortion, and because they are encapsulated in the same package, the two devices operate under nearly identical conditions. Capacitors used in critical filtering locations are film types, noted for their consistent performance regardless of temperature and frequency. Finally, resistors in critical gain-setting and feedback locations use tantalum nitride thin-film elements. An extremely costly material, tantalum nitride typically finds use in sensitive military equipment because it is unusually stable with respect to temperature, exhibits very low noise, and is unaffected by magnetic fields. In fine audio equipment, those characteristics make the sound even more revealing and effortless, free of the low-level nonlinearities caused by lesser resistive materials as they heat and cool under dynamic conditions. Housed in an aircraft-grade 6063-T5 extruded aluminum chassis, the No. 523 features extremely high build precision, to exceedingly low tolerances.\u003cbr\u003e\u003cbr\u003ePure Phono\u003cbr\u003ePreamplifying from turntable to line level can a difficult task, and it is an area where some equipment makers skimp on components and design. The No. 526 and No. 523 preamplifiers introduce a new Mark Levinson phono stage, Pure Phono, itself following Pure Path design principles including discrete design, free of op amps. The Pure Phono stage operates exclusively in class A throughout, employing tantalum nitride thin-film resistors polypropylene capacitors with punishingly low tolerances. \u003cbr\u003e\u003cbr\u003eThe Pure Phono stage also contains physically separated channels and balanced inputs for purity. The Pure Phono stage offers a fixed-gain MM section with five capacitive cartridge-loading settings, and an MC section with three gain settings and 10 resistive cartridge-loading settings. And an ultrasonic filter intelligently compensates for rumble and warping.\u003cbr\u003e\u003cbr\u003eCompleting the Signal Path\u003cbr\u003eThe No. 523 offers five line-level analog inputs: two balanced (XLR), three single-ended (RCA), in addition to the Pure Phono (RCA with grounding pin) input. The preamplifier delivers its signal to balanced (XLR) and single-ended (RCA) stereo outputs, as well as a 1\/4-inch (6.3mm) Main Drive Headphone output integrated into the front panel metalwork – a first for Mark Levinson.\u003cbr\u003e\u003cbr\u003eThe Main Drive Headphone amplifier circuit drives up to 32-ohm headphones in class A by employing the main output circuit rather than a secondary signal path: a perfect example of reducing clutter in the circuit design.\u003cbr\u003e\u003cbr\u003eA selectable fourth-order, 80 Hz high-pass filter enables seamless integration of a single or dual subwoofers for full-range performance with a wide range of loudspeaker setups. System-integration connectivity includes Ethernet\/IP control, RS-232, USB for monitoring and configuration via web page, plus 12V triggers and an IR input. An included machined metal remote delivers the robust feel and precise control befitting of a component of the preamplifier's caliber.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mark Levinson","offers":[{"title":"Default Title","offer_id":41289282388052,"sku":"MARKL:NO523","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/httpswww.audioadvice.compubmediacatalogproductmlml-no523.jpg?v=1718142594"},{"product_id":"mark-levinson-526-preamplifier","title":"Mark Levinson No. 526 Preamplifier","description":"\u003cp\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePure Path discrete, direct coupled, fully balanced, dual-monaural signal path\u003c\/li\u003e\n\u003cli\u003e32-bit Precision Link DAC with three selectable filters and seven power supplies\u003c\/li\u003e\n\u003cli\u003eSupports high-resolution PCM (up to 32-bit, 192kHz) and DSD (up to 5.6MHz)\u003c\/li\u003e\n\u003cli\u003eDiscrete, balanced R-2R Ladder volume control for precision and performance\u003c\/li\u003e\n\u003cli\u003eClass-A Main Drive Headphone output for up to 32-ohm headphones using main circuit\u003c\/li\u003e\n\u003cli\u003eSelectable fourth-order, 80 Hz high-pass filter allows seamless integration of subwoofers\u003c\/li\u003e\n\u003cli\u003eClass-A Pure Phono stage with physically separated channels for MC and MM\u003c\/li\u003e\n\u003cli\u003e12 analog, digital, and phono inputs; balanced, single-ended, and headphone outputs\u003c\/li\u003e\n\u003cli\u003eDesigned and handcrafted in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003ePure Path Circuit Design\u003cbr\u003e Since 1972, Mark Levinson has been dedicated to the uncompromising art of sound, with the guiding principle of musical purity above all else. To achieve that goal like never before, Mark Levinson engineers scoured company archives, ultimately developing a circuit-design philosophy called Pure Path. On a conceptual level, its hallmark principles include a discrete, direct-coupled, fully balanced, dual-monaural signal path that delivers unrestricted, uncompromised sonic purity. Far from merely arranging high quality components in an intelligent manner, Pure Path is the meeting of science and art: Mark Levinson engineers are tasked to create the best possible measured AND subjective performance. To quote Albert Einstein: “Everything should be made as simple as possible, but not simpler.\" Pure Path highlights in the No. 523 include Folded Cascodes, an R-2R Ladder volume control, the class-A Pure Phono stage, and class-A Main Drive Headphone amplifier output.\u003cbr\u003e\u003cbr\u003eAnalog Mastery\u003cbr\u003eMark Levinson components are designed around a Pure Path amplifier circuit concept that makes heavy use of a circuit design element called a cascode. Originally created for improving the bandwidth of vacuum tube circuits in radios, Mark Levinson engineers deploy cascodes in Pure Path circuit designs to both improve bandwidth and enhance linearity. A cascode combines two transistors so that they operate as a single composite device that functions like a single transistor, using the wanted characteristics of each component transistor, and rejecting the unwanted characteristics.\u003cbr\u003e\u003cbr\u003e Mark Levinson engineers began their design of the preamp gain stage with pairs of JFETs (junction field-effect transistors), chosen for their low noise and high gain. JFETs achieve these characteristics in part by being large, and with their large size comes nonlinear gain – or distortion. To mitigate this, BJTs (bipolar junction transistors) were added to the circuit. The BJTs exhibit very low input impedance and very high output impedance, which translates to excellent bandwidth and linearity. By creating a cascode of the JFETs and BJTs, they created a design with the best characteristics of both sets of devices. Engineers than connected the output of the cascode to another transistor of the opposite “gender.\" Current flows through it in the opposite direction to “turn around\" the direction of the signal current. This special connection is called a Folded Cascode and it is a hallmark of the Pure Path circuit: high gain with low noise, wide bandwidth, and excellent linearity. \u003cbr\u003e\u003cbr\u003eSuperior Volume Control\u003cbr\u003eThe basis of many volume controls is the venerable analog potentiometer – a device with a number of performance drawbacks. The mechanical connection wears out, creating scratching or crackling noises; it is nearly impossible to manufacture an identically performing pair, and mismatches in a stereo pair can cause level imbalances between the two channels; and due to their varied reaction to parasitic capacitances at different volume settings, the sound changes depending on where the volume is set. Rather than attempting to improve upon this flawed design, Mark Levinson engineers abandoned it. Instead, they employed a complex circuit architecture called an R-2R Ladder.\u003cbr\u003e\u003cbr\u003eIn the R-2R Ladder, a string of resistors, all with identical resistance (R), form the side of the ladder, with another set of resistors forming the rungs, all identically with double the resistance (2R). This unique circuit takes whatever current appears at its input and successively divides it in half at each “rung\" of the ladder. Different combinations of “rung\" currents can then be selected and added together, precisely delivering nearly any output current, and thereby, volume setting. An R-2R Ladder is a highly accurate device. The currents through the rungs are determined by fixed resistors, capable of very tight tolerances, able to be closely matched to one another in value. Analog switches “steer\" the currents, are precision devices, and have no mechanical contacts to wear out. In short, the R-2R Ladder solves all the problems inherent to potentiometer-based volume controls. That's why it is a cornerstone of Mark Levinson Pure Path design philosophy. \u003cbr\u003e\u003cbr\u003eMilitary Grade Components\u003cbr\u003eAll Mark Levinson equipment employs electronic components carefully chosen for their specific task. Gain-stage JFET pairs have high gain, low noise, low distortion, and because they are encapsulated in the same package, the two devices operate under nearly identical conditions. Capacitors used in critical filtering locations are film types, noted for their consistent performance regardless of temperature and frequency. Finally, resistors in critical gain-setting and feedback locations use tantalum nitride thin-film elements. An extremely costly material, tantalum nitride typically finds use in sensitive military equipment because it is unusually stable with respect to temperature, exhibits very low noise, and is unaffected by magnetic fields. In fine audio equipment, those characteristics make the sound even more revealing and effortless, free of the low-level nonlinearities caused by lesser resistive materials as they heat and cool under dynamic conditions. Housed in an aircraft-grade 6063-T5 extruded aluminum chassis, the No. 523 features extremely high build precision, to exceedingly low tolerances.\u003cbr\u003e\u003cbr\u003ePure Phono\u003cbr\u003ePreamplifying from turntable to line level can a difficult task, and it is an area where some equipment makers skimp on components and design. The No. 526 and No. 523 preamplifiers introduce a new Mark Levinson phono stage, Pure Phono, itself following Pure Path design principles including discrete design, free of op amps. The Pure Phono stage operates exclusively in class A throughout, employing tantalum nitride thin-film resistors polypropylene capacitors with punishingly low tolerances. \u003cbr\u003e\u003cbr\u003eThe Pure Phono stage also contains physically separated channels and balanced inputs for purity. The Pure Phono stage offers a fixed-gain MM section with five capacitive cartridge-loading settings, and an MC section with three gain settings and 10 resistive cartridge-loading settings. And an ultrasonic filter intelligently compensates for rumble and warping.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Mark Levinson Precision Link DAC\u003cbr\u003eFirst introduced in the multi-award-winning, critically acclaimed No. 585 Integrated Amplifier, the Mark Levinson Precision Link DAC transforms digital data streams into analog audio art. Like every other element of a Mark Levinson component, it combines unique Pure Path engineering design approaches with painstakingly selected components to deliver impeccable performance than can be appreciated both on the test bench and in the listening room.\u003cbr\u003e\u003cbr\u003eThe converter chip in the Mark Levinson Precision Link DAC comes from ESS Technologies, a company known for jitter-elimination circuitry. Jitter – inaccuracies in the timing of samples arriving to the converter – causes distortion. The ESS converter resynchronizes incoming data to its own extraordinarily stable clock. Combined with its 32-bit resolution, the low-jitter stream reduces distortion and noise, allowing remarkable retrieval of ambient detail that other DACs simply miss.\u003cbr\u003e\u003cbr\u003eThe Precision Link DAC operates the converter's outputs in current mode, where they are fed into a fully balanced current-to-voltage (I\/V) converter that provides the exact signal level desired. Maintaining near-zero voltage keeps the current sources virtually immune to nonlinearity, maximizing bandwidth and minimizing distortion. Common-mode noise and distortion are cancelled in this mirror-imaged, differential configuration, resulting in a pristine signal with a vanishingly low noise floor. Also contributing to the Mark Levinson Precision Link DAC's low noise floor is its unique power supply configuration: five independent power supplies operate the converter chip alone, and individual linear power supplies for the left and right channels power the discrete I\/V and antialiasing filter circuits.\u003cbr\u003e\u003cbr\u003ePersonalized Performance\u003cbr\u003eThe Precision Link DAC performs oversampling and digital filtering of digital audio data. This process increases the effective sample rate by filling in additional data points between the actual data present, which in turn reduces the demands on the low-pass (antialiasing) filter required on the analog output of the converter.\u003cbr\u003e\u003cbr\u003eAn Array of Pure Path Digital Inputs\u003cbr\u003eThe No. 526 offers six digital inputs for system flexibility. One Balanced AES\/EBU (XLR) input and two Coaxial (RCA) inputs use high-speed differential receivers to reject noise and provide clean digital waveforms to the Cirrus Logic digital audio receiver chip. Two additional Optical (Toslink) receivers drive the digital audio receiver directly. For direct connection to a computer, the No. 526 also offers an asynchronous USB Type B input built around a CMedia USB audio processor chip. Using the high-speed USB 2.0 standard, the CMedia chip reliably and accurately receives audio data over USB in PCM format at up to 32-bit, 192 kHz; or in native DSD format at up to double speed (5.6 MHz). The CMedia chip transfers USB data asynchronously: it gets as much data as possible as and when it is available, rather than transferring the data in sync with the music playback, which reduces demands on the computer and instead allows the processor chip to precisely control the flow of data to the digital-to-analog converter. \u003cbr\u003e\u003cbr\u003eHARMAN Clari-Fi Music Restoration Technology\u003cbr\u003eHARMAN Clari-Fi music restoration technology analyzes compressed digital audio files during playback, in real time, and reconstructs much of what was lost in the compression process. The complex Clari-Fi processing algorithm is implemented on a powerful Analog Devices SHARC DSP (digital signal processor). Unlike simple equalization, Clari-Fi continuously and automatically adapts the amount of reconstruction it performs to the degree to which an audio file has been compressed. The No. 526 offers an Intensity control, enabling fine adjustment of the amount of reconstruction applied to the signal – or bypass if preferred.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompleting the Signal Path\u003cbr\u003eThe No. 523 offers five line-level analog inputs: two balanced (XLR), three single-ended (RCA), in addition to the Pure Phono (RCA with grounding pin) input. The preamplifier delivers its signal to balanced (XLR) and single-ended (RCA) stereo outputs, as well as a 1\/4-inch (6.3mm) Main Drive Headphone output integrated into the front panel metalwork – a first for Mark Levinson.\u003cbr\u003e\u003cbr\u003eThe Main Drive Headphone amplifier circuit drives up to 32-ohm headphones in class A by employing the main output circuit rather than a secondary signal path: a perfect example of reducing clutter in the circuit design.\u003cbr\u003e\u003cbr\u003eA selectable fourth-order, 80 Hz high-pass filter enables seamless integration of a single or dual subwoofers for full-range performance with a wide range of loudspeaker setups. System-integration connectivity includes Ethernet\/IP control, RS-232, USB for monitoring and configuration via web page, plus 12V triggers and an IR input. An included machined metal remote delivers the robust feel and precise control befitting of a component of the preamplifier's caliber.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mark Levinson","offers":[{"title":"Default Title","offer_id":41289282519124,"sku":"MARKL:NO526","price":25000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/httpswww.audioadvice.compubmediacatalogproductmamarkl-no526.jpg?v=1718142595"},{"product_id":"pre-box-ds2-digital","title":"Pro-Ject PREBOXDS2-BLK Pre Box DS2 Digital Preamplifier","description":"\u003cul\u003e\n\u003cli\u003ePhono stage (MM\/MC), Line In on board\u003c\/li\u003e\n\u003cli\u003e5 digital Inputs: 1x USB, 2x optical, 1x coax, 1x Bluetooth (aptX)\u003c\/li\u003e\n\u003cli\u003eDSD64, DSD128 \u0026amp; DSD256 (DSD over PCM)\u003c\/li\u003e\n\u003cli\u003eUp to 24bit\/192kHz for optical \u0026amp; coax inputs\u003c\/li\u003e\n\u003cli\u003e5 selectable digital filter characteristics\u003c\/li\u003e\n\u003cli\u003e3 selectable sound modes\u003c\/li\u003e\n\u003cli\u003eHeadphone output on the front (6.3mm)\u003c\/li\u003e\n\u003cli\u003eHigh-end ultra-low phase oscillator with superior noise rejection\u003c\/li\u003e\n\u003cli\u003eRCA line-level solid-state analog output stage\u003c\/li\u003e\n\u003cli\u003eUltra linear \u0026amp; ultra-low-noise circuitry\u003c\/li\u003e\n\u003cli\u003eFull alu\/metal sandwich casing in silver or black \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pro-Ject","offers":[{"title":"Default Title","offer_id":41289327149140,"sku":"PRO:PREBOXDS2-BLK","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/untitled-17.jpg?v=1718142754"},{"product_id":"mcintosh-c49-solid-state-preamplifier","title":"McIntosh C49 Solid State Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003ch3 class=\"hp-title\"\u003eCompany \u0026amp; Product Overview\u003c\/h3\u003e\n\u003cp\u003eThe year was 1946 when Frank McIntosh hired Gordon Gow to work on a special project for him. Frank McIntosh, at the time, was a consultant to the TV broadcast industry. Frank saw a demand for a high powered, low distortion amplifier. In 1949, the McIntosh brand was born out of this partnership. McIntosh Labs moved to Binghamton, NY in 1951 and have been at their current location in Binghamton since 1956.\u003c\/p\u003e\n\u003cp\u003eWe recently visited the McIntosh facility and it really is interesting to see how the building has grown over the past 60+ years. A quick \u003ca href=\"https:\/\/www.google.com\/maps\/place\/2+Chambers+St,+Binghamton,+NY+13903\/@42.1001384,-75.8772473,761m\/data=!3m1!1e3!4m13!1m7!3m6!1s0x89dae5a1969c5375:0x9195fa554df8e964!2s2+Chambers+St,+Binghamton,+NY+13903!3b1!8m2!3d42.1001384!4d-75.8750586!3m4!1s0x89dae5a1969c5375:0x9195fa554df8e964!8m2!3d42.1001384!4d-75.8750586\"\u003eGoogle Maps search\u003c\/a\u003e of 2 Chambers St Binghamton, NY will show you all the additions. Another interesting fact about McIntosh is the average employee tenure is over 20 years!\u003c\/p\u003e\n\u003cp\u003eMcIntosh has become world-renowned for designing and manufacturing almost every single thing in-house. They also pride themselves on being able to repair just about any McIntosh product ever made. This philosophy coupled with their great sound has led to McIntosh products holding their value better than any other audio brand. \u003cstrong\u003eWhen we toured the factory, we were amazed at the level of in house expertise they have. Not only do they make and assemble all of the audio portions of the gear at the factory, but they also bend and paint their own metal, cut and etch their own glass, and even wind and pot their own transformers.\u003c\/strong\u003e It is truly a remarkable tour if you are into audio at all!\u003c\/p\u003e\n\u003cp\u003eWith all of the expertise McIntosh puts into their products, they are not the type of brand who comes out with new models every year just to have a new number designation. They only make a change when enough technology has come out that warrants a new model, which in some cases can be 10 years or more. \u003cstrong\u003eThe subject of today’s review is such a revision to what is probably one of the most popular McIntosh products, their entry-level, solid-state, full-function preamplifier, the McIntosh C49.\u003c\/strong\u003e The new McIntosh C49 preamp is just starting to make its way out into the audio world and is loaded with far more features and technology than you might think from having a quick look at its beautiful front faceplate.\u003c\/p\u003e\n\n\u003ch3 class=\"hp-title\"\u003eDesign \u0026amp; Build Quality\u003c\/h3\u003e\n\u003cp\u003eWhen you spend time at the McIntosh factory and get to know the people there, a philosophy starts to emerge that becomes clearer and clearer with each person you meet. It actually has more than one facet, but they all come together to help you understand why McIntosh owners are so happy with their purchases.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e\u003cstrong\u003eMcIntosh wants to create products that you can pass down to the next generation.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis has several aspects on its own. For an audio product to last this long, it needs to be built to extremely high standards. The company has to have a dedication to supporting it for decades, which is a rare find in today’s disposable marketplace. Finally, the product has to sound so good that even after 50 years it can still hold its own against the latest technology.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e\u003cstrong\u003eMcIntosh wants their products to be extremely easy to use, yet offer up all kinds of ways to tune the product to your personal tastes should you desire.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is not an easy feat to pull off, but we have to say, McIntosh has this perfected. More on this and how it relates to the McIntosh C49 in the next section.\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003e\u003cstrong\u003eMcIntosh products inspire a great sense of pride of ownership through their beauty and connection to the music.\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe beautiful glass faceplates, some of which have the classic McIntosh blue meters, are almost like a piece of art in your home. Everyone on the McIntosh team also has a passion for music. From the early days when they powered Woodstock to the Grateful Dead’s “Wall of Sound”, McIntosh gear has a history of connecting you to the music with a sense of raw power and emotion that has to be experienced.\u003c\/p\u003e\n\u003cp\u003eThe new McIntosh C49 solid-state preamp embodies all of these principals in a complete control center for today’s music lovers. \u003cstrong\u003eMcIntosh wanted to give music lovers a new preamp that enabled them to connect to just about any type of music source available today. Also, while you can just make a couple of connections and be making music with the C49 quickly, there are a ton of fun features under the hood that allows you to customize the Mcintosh C49 to your system.\u003c\/strong\u003e And it goes without saying, just like every McIntosh product, the C49 is built to last for decades!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/www.audioadvice.com\/wordpress2\/wp-content\/uploads\/2019\/08\/McIntosh_C49_front.jpg\" alt=\"McIntosh C49 front view\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch3 class=\"hp-title\"\u003eFeatures \u0026amp; Technology\u003c\/h3\u003e\n\u003cp\u003eWhen we were touring the production lines we noticed some pieces that looked like they were only half of a product. It turns out, these were the two parts that make up the C49 preamp. \u003cstrong\u003eThe McIntosh C49 has an abundance of both analog and digital inputs.\u003c\/strong\u003e \u003cstrong\u003eTo keep the analog signal path as pure as possible, the preamp is two completely separate units tied together.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe top half houses the analog section which gives you two sets of outputs with both balanced and single-ended RCA output. There is also a third fixed RCA audio out. You’ll get two pairs of balanced audio inputs, 3 RCA audio inputs, and both a moving coil and moving magnet set of phono inputs. The other half of the preamp houses the power supply and the digital section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe DA1 digital audio module is also modular so if there is a huge technology change, it can be updated over time.\u003c\/strong\u003e Although for right now, it is totally at what is state of the art with its 8-channel 32 Bit DAC used in a Quad Balanced mode. It supports DSD256 and DXD384kHz for high-resolution audio. The DA1 module gives you a USB digital input, two Toslink inputs, and two coax digital inputs. You also get a special MCT input designed to work with McIntosh SACD transports. \u003cstrong\u003eThis adds up to an input count of 13, pretty impressive leaving you plenty of room for all kinds of source components.\u003c\/strong\u003e The back panel of the digital\/power half also houses 10 mini jacks which can be used for all kinds of cool control functions with other McIntosh gear.\u003c\/p\u003e\n\u003cp\u003eOne could take the McIntosh C49 out of the box, connect up a CD transport to the digital input and a turntable to the correct phono input and quickly be making great sound. That is part of the McIntosh philosophy, but if you want to dive deeper to tweak things to your liking, you’ll find a world of cool features. But first, let’s have a look at the beautiful glass front panel and its functions.\u003c\/p\u003e\n\u003cp\u003eIt only takes about 2 seconds for anyone to figure out how to operate the McIntosh C49, it is so well laid out. The left side has a round input selection knob. In the center is a visual display to show you what you have selected. On the far right is the volume knob. Underneath the input knob, you’ll find a full-sized headphone jack. \u003cstrong\u003eMcIntosh uses an internal dedicated high power headphone amp using what they call their HighDrive tech that can power just about any headphone on the market.\u003c\/strong\u003e Next to the headphone jack are two switches that turn on or off each of the two, independent preamp outputs. The right side has an easy-to-find power on\/off switch, a switch to engage or disengage the tone controls, and a mute button. Every switch has a red light that indicates if the switch is in the on position. \u003cstrong\u003eMcIntosh is also very clever in the way the labeling for all of the controls is on the rear side of the glass. This means it will never wear off, preserving the great resale value McIntosh gear is known for.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy pressing inward on the input button, you’ll get into the setup menu where you will be able to fine-tune the McIntosh C49 to your system.\u003cstrong\u003e There are several features we discovered that we really love:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst, is the extreme flexibility of the phono section.\u003c\/strong\u003e The moving magnet section lets you adjust from 50 to 800pF in 50 pF steps, while the moving coil stage allows you to load the cartridge at 25, 50, 100, 200, 400 or 1,000 ohms. Other phono preamps have this feature, but the neat part here is you can do these on the fly with the handheld remote, enabling you to quickly hear the change!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Mcintosh C49 also has a home theater bypass mode.\u003c\/strong\u003e Many high performance 2 channel products have added this feature recently. It lets you connect all of your dedicated audio-only gear to your great McIntosh C49 preamp, then connect up your surround sound processor or receiver’s front channel outputs to the C49. This enables you to combine a dedicated two-channel system and a home theater setup with zero compromises to the sound of your two-channel gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMcIntosh will let the adjuster or purist in you have your cake and eat it too, with their tone and balance control circuitry.\u003c\/strong\u003e You’ll be able to adjust bass, treble, and balance or if you wish, completely disable those circuits for a pure signal path. But let’s face it, some of those older classic recordings can sometimes use a little help, so we are happy to see the built-in tone controls.\u003c\/p\u003e\n\u003cp\u003eFor handling all of those 13 inputs, McIntosh gives you the ability to name each one to your personal tastes and also trim the input volume up or down on everyone. This means when you switch from source to source, they can all be at the same volume level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIf you dive deep into the headphone amp setup, you’ll find a great feature set.\u003c\/strong\u003e Most preamps will totally mute the audio output on the preamp out jacks when you plug in a set of headphones. The McIntosh C49 defaults to this setting as well but gives you two more options. You can have it just mute the main outputs, leaving output 2 and 3 active or mute no outputs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMcIntosh products all have a goal of minimal noise and distortion which is exemplified in the split chassis of the C49.\u003c\/strong\u003e Another way to reduce noise is to have as little internal wiring as possible. If you were to pull out the boards for the C49, you would notice very little wiring at all. The signal switching all takes place right at the connectors through a special control circuit that talks to the front panel. \u003cstrong\u003eThe C49 also uses McIntosh’s best volume control design. This uses optoelectronic circuitry that gives you the ability to fine-tune the volume in minute steps.\u003c\/strong\u003e No signal passes through the volume knob assuring years of noise-free service. But, unlike some preamps where you have to keep spinning the volume knob for several rotations to get things loud, the C49 senses when you are moving the knob faster, ramping the volume up quickly. Once you have it close to where you want it, slow turns fine-tune the volume in tiny steps, pretty cool!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne the digital side of tech, the McIntosh Quad Balanced DAC design cancels out any noise or distortion present in the digital conversion process.\u003c\/strong\u003e The result is a digital section that gives you an extremely smooth sound with never a trace of harshness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe final part of the secret sauce inside the McIntosh C49 that makes it sound so sweet is simply the McIntosh heritage of component evaluation and testing.\u003c\/strong\u003e When you make products that last for decades, your engineers start to get a really good sense of what types and brands of all the tiny resistors, diodes, capacitors and more inside a preamp not only sound great now but hold their great sound and specs into the future. With the C49, you are getting 70 years of audio design experience assuring you of outstanding sound decades down the road.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/www.audioadvice.com\/wordpress2\/wp-content\/uploads\/2019\/08\/McIntosh_C49_inputs.jpg\" alt=\"McIntosh C49 rear view of inputs\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch3 class=\"hp-title\"\u003ePerformance\u003c\/h3\u003e\n\u003cp\u003eMcIntosh sent us a C49 before our full order of demo gear arrived, so we wound up testing it somewhat stand-alone outside of a full McIntosh stack. This is probably not the typical way it would be used as most McIntosh owners couple a McIntosh preamp with one or more of their power amps, but since the McIntosh C49 is brand new, we wanted to get a review out quickly.\u003c\/p\u003e\n\u003cp\u003eWe paired it up with a \u003ca href=\"https:\/\/www.audioadvice.com\/mark-levinson-n-534-power-amplifier.html\"\u003eMark Levinson 534 power amp\u003c\/a\u003e and one of our favorite speakers, the \u003ca href=\"https:\/\/www.audioadvice.com\/revel-salon2-floorstanding-speaker.html\"\u003eRevel Salon 2\u003c\/a\u003e with everything wired up using Transparent Audio cables.\u003c\/p\u003e\n\u003cp\u003eSeveral of our friends in the industry had told us to expect to be surprised by the sound of the new McIntosh components, in a good way! When we visited the factory, the sound we experienced was very impressive, but there is just something about putting a piece of gear into a system you are familiar with that tells the true tale.\u003c\/p\u003e\n\u003cp\u003eThe preamp we pulled out to test the McIntosh was a $20,000 digital only preamp so we wondered how the $5000 C49 would hold up. The answer came pretty quickly and got clearer after a few tracks.\u003c\/p\u003e\n\u003cp\u003eSome people have loved the McIntosh sound for its super warm character, but it has been criticized as not being as open and effortless as other state of the art contenders. \u003cstrong\u003eA few notes into the first track and we could tell there was absolutely zero lack of openness, as a matter of fact, the effortless sound was making us smile.\u003c\/strong\u003e The first cut we tried was from Shelby Lynne’s \"Just a Little Lovin\". There are some percussive sounds that are recorded with a lot of decay added and we could hear every bit of this as the sound slowly faded away in a super effortless fashion. The dynamics of the percussion and deep bass were also very impressive to our ears.\u003c\/p\u003e\n\u003cp\u003eWe moved on to \"Man in the Long Black Coat\" from Bob Dylan. At the beginning of the track, there are guitars in the left and right channels and a great system will place these guitars a little bit outside the main speakers. We heard this exact effect with the McIntosh C49, plus the acoustic energy coming off the guitars had zero sense of strain. A few more seconds into this track brings on some rich harmonica sounds. Here, the warmth and effortlessness this preamp lets through just drew you into the music.\u003c\/p\u003e\n\u003cp\u003eOur last cut was \"Billy Jean\" from Between the Bars. A great system will let you really hear into the harmonics of the guitars. Checkmark again. The McIntosh C49 was doing a great job here as well and when the haunting vocals came in, we just sat and listened through the whole song.\u003c\/p\u003e\n\u003cp\u003eWe did switch back to our reference preamp and in many aspects, it was clearly better, but in the end, we were super impressed with the sound quality of the C49 for what it costs in today’s world of electronics that cost more than a nice car.\u003c\/p\u003e\n\u003ch3 class=\"hp-title\"\u003eOverall Recommendation\u003c\/h3\u003e\n    \u003cp\u003eA great audio preamp can be the heart of a music system for decades. Many people wind up replacing what they thought was a good choice due to it lacking a feature or type of input that comes out in the future. With the modular digital section and the plethora of analog with MC and MM phono, we see the McIntosh C49 being in your system for decades. When you look at all you get for $5000 compared to the competition out there, it seems like a great value to us. Plus it's just beautiful to look at and fun to operate!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"McIntosh","offers":[{"title":"Default Title","offer_id":42305330741332,"sku":"MCINTOSH:C49","price":6500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/c49-front-top-usb.jpg?v=1718142856"},{"product_id":"mcintosh-c22-mk-v-2-channel-vacuum-tube-preamplifier","title":"McIntosh C22 Mk V 2-Channel Vacuum Tube Preamplifier","description":"\u003cp\u003eThe C22 Mk V uses one 12AT7 and five 12AX7A vacuum tubes which can be seen through a glass panel located on the top of the preamp. Knobs and rocker switches operate all control functions while modern LED lights indicate input selection and volume level. The C22 Mk V has two balanced inputs, three unbalanced inputs, one Moving Coil and one Moving Magnet phono inputs, for a total of seven inputs. There are two pairs each of balanced and unbalanced output connections; the two outputs allow sending signals to two separate power amplifiers.\u003c\/p\u003e\n\u003cp\u003eBypassable bass and treble tone controls are located on the front panel and can be adjusted in 2dB increments via rotary knobs. Impedance and capacitance for the phono inputs can also be adjusted via separate rotary knobs. In addition to setting the listening level, the volume knob can also be used to adjust the relative volume balance between the left and right audio channels. The ¼” headphone jack is powered by McIntosh's High Drive headphone amplifier and features their Headphone Crossfeed Director (HXD\u003csup\u003e®\u003c\/sup\u003e) technology. HXD improves the sound localization for headphone listening by restoring the directionality component of the sound stage that's normally only heard from loudspeakers.\u003c\/p\u003e\n\u003cp\u003eMcIntosh's Power Control technology is included with four ports that can automatically turn other connected McIntosh components such as amplifiers, CD players or turntables on and off. Data ports are also present and can control basic functions of connected McIntosh source components via the included remote control.\u003c\/p\u003e\n\u003cp\u003eThe C22 Mk V sits atop a stunning polished stainless steel chassis and features the timeless McIntosh illuminated logo, control knobs, and aluminum end caps. With its retro black glass and aluminum front panel design, the C22 Mk V will fit right in with McIntosh home audio systems of any era – from the 1950s to current day. \u003c\/p\u003e","brand":"McIntosh","offers":[{"title":"Default Title","offer_id":41289532375124,"sku":"MCINTOSH:C22-MKV","price":7500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/c22-mk-v-front-top.jpg?v=1718143533"},{"product_id":"mcintosh-c8-2-channel-vacuum-tube-preamplifier","title":"McIntosh C8 2-Channel Vacuum Tube Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eSimilarly sized to McIntosh's MA252 Integrated Amplifier, the C8 is powered by four 12AX7a vacuum tubes housed inside stylish protective cages. For inputs, the C8 comes with 1 balanced and 2 unbalanced analog inputs, plus 1 Moving Coil and 1 Moving Magnet phono inputs with adjustable loading to play cherished vinyl collections. All inputs can be given user-friendly names in order to simplify user control. Bass and treble tone controls help fine tune your music to your personal preferences. For outputs, it has 1 balanced and 2 unbalanced; 1 of the unbalanced outputs can be configured as a subwoofer output for use with a powered subwoofer to further enhance low frequencies.\u003c\/p\u003e\n\u003cp\u003eWhile the C8 does not come equipped with any digital inputs, it is digital-audio-ready as Mcintosh's DA2 Digital Audio Module can be installed in it. Adding the DA2 is an optional dealer-installed upgrade. The DA2 has 7 digital inputs: 2 coax, 2 optical, 1 USB, 1 MCT (for use with our MCT500 or MCT80 SACD\/CD Transport), and 1 audio-only HDMI Audio Return Channel (ARC)1 connection. The DA2 is powered by a next-generation, Quad Balanced, 8-channel, 32-bit Digital-to-Analog Converter (DAC). Its audiophile-grade DAC is highlighted by improved dynamic range and improved total harmonic distortion. For high-resolution audio playback, the USB input can support native playback of up to DSD512 and DXD up to 384kHz, and the coax and optical inputs can decode digital music up to 24-bit\/192kHz.\u003c\/p\u003e\n\u003cp\u003eFor personal listening, the C8 comes with their High Drive headphone amplifier that has plenty of power and flexibility to drive a wide range of headphones. Power Control ports allow for easy system power up and shut down by sending power on\/off signals to other connected McIntosh components. The user-selectable Auto Off feature will turn the C8 off after 30 minutes when there's been no user input or if no audio signal has been detected. Home Theater Pass Through allows the C8 to be seamlessly integrated into your home theater system, and Data Ports can send remote control commands to connected source components.\u003c\/p\u003e\n\u003cp\u003eInput selection, bass, treble, tone bypass, balance and input offset levels can be adjusted using the front panel knobs or the included remote control; all settings, volume level, and input selection will be shown on the front panel display. The C8 sits atop a stainless steel chassis that's polished to a mirror finish; classic McIntosh-styled die-cast aluminum name badges are attached to each side. It has a black glass front panel with silver trim, an illuminated logo, and rotary control knobs.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"McIntosh","offers":[{"title":"Default Title","offer_id":41289542402132,"sku":"MCINTOSH:C8","price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/c8-front-top-hi-res.jpg?v=1718143574"},{"product_id":"eversolo-dmp-a10-network-player-dac","title":"EverSolo DMP-A10 Network Player \u0026 DAC","description":"\u003cdiv class=\"col_narrow\"\u003e\n  \u003cp\u003eIt hasn’t been long since \u003ca href=\"https:\/\/www.audioadvice.com\/collections\/eversolo\"\u003eEversolo\u003c\/a\u003e burst onto the audio scene, shaking things up with the goal of giving music lovers high-end features at prices that won’t break the bank. They’ve really sparked a shift in the world of music streaming, with other brands jumping on board to create streamers that boast big, beautiful screens and top-notch components. The \u003ca href=\"https:\/\/www.audioadvice.com\/products\/eversolo-dmp-a6-network-streamer-and-dac\"\u003eEversolo A6\u003c\/a\u003e, \u003ca href=\"https:\/\/www.audioadvice.com\/products\/eversolo-dmp-a6-master-edition-network-streamer-and-dac\"\u003eA6 Master Edition\u003c\/a\u003e, and \u003ca href=\"https:\/\/www.audioadvice.com\/products\/eversolo-dmp-a8-network-streamer-dac-preamp\"\u003eA8\u003c\/a\u003e have become super popular, and after \u003ca href=\"https:\/\/www.audioadvice.com\/blogs\/expert-advice\/eversolo-comparison\"\u003echecking them out earlier this year\u003c\/a\u003e, we totally get why—their build quality and performance are seriously impressive for the price.\u003c\/p\u003e\n\n  \u003cp\u003eBut Eversolo hasn’t stopped there. They’ve been busy behind the scenes crafting something even more powerful that takes things up a notch from the A8. So, let’s dive into the new \u003ca href=\"https:\/\/www.audioadvice.com\/products\/eversolo-dmp-a10-network-player-dac\"\u003eEversolo DMP-A10\u003c\/a\u003e, their flagship streamer, DAC, and preamp that’s set to shake things up once again, but this time, at a higher level.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_02-NQ0s7Zi2.jpg\" alt=\"Eversolo A10\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe first thing you'll notice about the A10 is its new design. It’s slightly bigger than the previous A8, coming in around 17 inches wide, 12 inches deep, and 4.6 inches tall. It also steps things up with a finely crafted, CNC-machined aluminum chassis, complete with metal fins on the sides that help with passive cooling. It just feels more solid, too, weighing in at almost 16 pounds compared to the A8’s 11. We personally like the look of the new fins—they give it a cool, modern look. But if you were a fan of the A8's simple black box vibe, this new design might take some getting used to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_19_2-k0Q-VVWJ.jpg\" alt=\"Eversolo A10 front display\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eNow, looking at the front panel, you'll spot some more upgrades. First off, there’s a dedicated power button on the left side now—probably because the new volume knob has been revamped with a built-in screen! You don’t see this feature on other products too often, and Eversolo's version is super cool. The circular screen on the knob can display the volume or even album artwork and can be customized to different themes. Of course, this feature is just for looks and won’t improve your sound, but it definitely makes the A10 easier to use and gives it a sleek, futuristic vibe. Plus, the bright and gorgeous screen has added a half inch and is updated to a 6.5” touchscreen. In our full review of other Eversolo units, we raved about how responsive and detailed the screens are, and the A10 is no exception—it’s super fast and smooth to navigate.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_30_1-3H74j8FM.jpg\" alt=\"Smart phones with Eversolo settings on the screen\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eYou can control everything—your music, streaming services, settings, and more—right from the front touchscreen or through their well-organized and fast app. You can also set favorites, customize the home screen, and tweak how you want album art to appear while your music plays. Eversolo really nailed it with these screens, and we can’t stress that enough. With the large center touchscreen paired with the new screen on the volume knob, you’ll have all the info you need right at a glance!\u003c\/p\u003e\n    \n\u003cp\u003eOne really unique feature is the ability to cast the screen from your Eversolo to your phone. The screencast feature pulls up a direct screencast of what is on your screen and is completely interactive. What we found the screencast most useful for was the third-party apps. Since the third-party apps are not accessible on the Eversolo phone app, you can easily mirror the screen, open third-party apps, and have complete control of your music that way. It’s a clever workaround that seems to work rather well.\u003c\/p\u003e\n    \n\u003cp\u003eThe Eversolo app itself is also blazing fast and has all the features you should need. It’s easy to navigate, allows you to sign in and stream your music from your favorite music platform right in the app, and even has a universal music search feature to find songs across all of your streaming services. We used the app almost exclusively when we were testing all the Eversolo units, as it just seemed to be the easiest way to navigate and control everything. However, Eversolo does include a new refined remote that feels and looks pretty nice if you prefer to control it that way instead of always relying on your phone.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_5_3-AquRG5cc.jpg\" alt=\"Eversolo A10 rear panel view\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eWhen you check out the back of the A10, it looks pretty similar to the A8. You still get all the essentials—an ethernet port, balanced XLR inputs, RCA inputs, HDMI ARC, 2 coax inputs, 1 USB-B input, 2 USB-A’s, and 2 toslink inputs. For outputs, you’ve got balanced XLRs, RCAs, 1 coax, 1 Toslink, and 1 USB-A port. You’ll also have trigger in and out ports and a new SFP fiber port, allowing you to connect to your network via fiber when you purchase an additional SFP module. This is typically seen in high-end gear and allows you to have cleaner audio without an electrical connection between the network switch and the device itself. But the upgrade that we were excited to see was the addition of 2 dedicated subwoofer outs! This lets you hook up and fine-tune two subs directly through the A10 interface or app, delivering deep, balanced bass for your stereo or home theater setup. You have the ability to set sub level, crossover frequency and polarity for the subs which applies to both of them. However, you can then choose whether you want Stereo mode where it will crossover one sub with your left speaker and one with your right. You’ll see many two channel purists do this when they have their subs right next to their left and right speakers. If you have one sub or two subs that are in the corners of your room or other locations, you will instead choose Mixer mode which will mix the right and left to give you the same feed to both subs. We tested this in our system with two KEF subs and it worked flawlessly.\u003c\/p\u003e\n    \n\u003cp\u003eIn addition to the dual sub capability, the A10 also comes with its own room correction. Almost any room will have frequency peaks due to its shape and how the sound waves interact, which can really affect how your music sounds. That’s why we love systems that come with automated room correction. You usually see this in high-performance home theater gear, but Eversolo has brought Room Correction Technology to the A10, allowing it to automatically adjust the sound to reduce unwanted peaks and nulls created by the room. Using the included mic (or your own), you can easily run the correction, and it’ll do all the work for you. We tested it and found it definitely improved the sound in less than perfect rooms. Using a phone, you can get a pretty good correction curve, but using a dedicated mic gets you even better results.  It is not as powerful as something like Dirac Live with Bass Control that you see on higher-end steamer units like the NAD M66, but it works well and can easily be turned on and off. There are some tweaks you can do to the automated correction that we cover in our Tips and Tricks.\u003c\/p\u003e\n\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_22-PdnIRDN4.jpg\" alt=\"Eversolo A10 settings screenshot\"\u003e\u003c\/div\u003e\n\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eFor those who want to fine-tune things manually instead of relying on auto adjustments, the A10 still gives you full control with a parametric EQ. You can target specific frequencies, like 37Hz or 121Hz, and adjust how steep or wide the correction is. Plus, you get access to FIR filters, high-pass and low-pass filters, bass boost, a compressor, and delay control—so you can geek out as much as you want!\u003c\/p\u003e\n    \n\u003cp\u003eThe HDMI arc connection allows you to connect this right to your TV system too! We want to note here that there is no HDMI I2S  like there was on the A8 and no HDMI DSD\/Audio output port. However, Eversolo concluded that for the vast majority of folks, these would have been unused features that would add to the cost of the device.\u003c\/p\u003e\n    \n\u003cp\u003eInside the A10, the impressive features continue. First off, Eversolo has designed the interior to separate noise and interference from different boards and has even added shielding on the front panel to ensure the audio signal remains pure and undisturbed. Plus, it has dual independent linear power supplies. This configuration consists of a toroidal transformer and a low-noise linear power supply to separate the digital system from the analog audio circuits, which helps eliminate interference and distortion. Anyone who’s into audio knows that a good power supply can make a huge difference—better ones generate less noise and give stronger support to all the components.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_15_2-wBzJ3z7W.jpg\" alt=\"ESS ES9039PRO\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe DAC inside is the extremely powerful ES9039PRO instead of the two AKM DACs found in the A8. We were big fans of that “velvet sound” that came from the A8, so we were a little surprised to see them change it up. However, when you look up the raw parts cost, the new ESS Sabre DAC comes in at almost twice the price. But what really matters is how it sounds, which we will get to shortly. And keep in mind that if you already have a better DAC without streaming capabilities, you can still attach the A10 with any of it’s digital outs. In fact, they’ve even incorporated an advanced electrical isolation circuit to reduce interference from high-noise power sources and grounding loop issues when you connect up an external DAC or USB device. The iCoupler technology inside transmits the clock signal and data to the isolated side in the correct time order and then resynchronizes them to maintain consistency. This may sound a bit technical, but all you really need to know is that any USB connection will be high quality with reduced jitter and maintain great signal accuracy.\u003c\/p\u003e\n\n\u003cp\u003eThe A10 supports high-res audio up to 32-bit PCM at 768 kHz and DSD512. Plus, it supports nearly all the file formats you should need and gives you access to popular streaming platforms like Qobuz, Deezer, Tidal, Amazon Music, and Apple Music. You can also use Spotify Connect and Tidal Connect, and it will soon be Roon Ready. It also runs on Eversolo's patented EOS operating system (Eversolo Original Sampling-rate Audio Engine) that bypasses Android’s SRC limitations to ensure the original sample rate output from any of the music apps for perfectly accurate playback.\u003c\/p\u003e\n        \n\u003cp\u003eThe A10 is also capable of Bluetooth 5.0, can rip and play CDs using an external CD drive, play music from a USB drive, and has 64GB of internal storage. You can easily rip CDs and store them directly on the unit, and if you wish to have more storage, you can install SSDs underneath the unit to have up to 4TB of total storage. You can also use this unit as a server to access all your files and play anywhere in your home.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_06-9-KZlWyn.jpg\" alt=\"Inside view of Eversolo A10\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe A10 also gets a cool upgrade in the clock department with custom-developed temperature control technology for the OCXO clock system. OCXO stands for Oven Controlled Crystal Oscillator, and it keeps the temperature constant and stable regardless of external temperature changes. It’s considered the best-performing quartz crystal oscillator out there. Having a stable temperature helps eliminate any frequency fluctuations for less noise and low jitter. This is a step up from the clocks in their previous products, and these ones even undergo a rigorous testing process from Eversolo to be sure they perform to their standards.\u003c\/p\u003e\n    \n\u003cp\u003eBut why does this even matter? Because even the smallest drift in a clock signal can cause tiny timing errors between samples, which impacts the audio quality. The more accurate the timing, the more alive and true-to-life your music sounds, as if you’re right there at the live performance.\u003c\/p\u003e\n    \n\u003cp\u003eIn addition, just like the A8, the level adjustment is R2R-based. The fully balanced preamp in the A10 is well-made with precision resistors and relays to ensure precise volume control, allowing you to use it as a true analog preamp in your system.\u003c\/p\u003e\n    \n\u003cp\u003eOkay, so we’ve gone over most of the major features and technology of the new A10. Now, let’s talk about performance.\u003c\/p\u003e\n    \n\u003cp\u003eWe tested the A10 with Parasound JC1 plus monoblock amps with KEF Reference 1 Meta bookshelves and KEF R11 Meta towers. This setup is extremely revealing and previously had an expensive streamer connected to it. So, it allowed us to evaluate the A10 sonically, particularly compared to a more expensive streamer solution. From a pure specification standpoint, you’d expect the A10 to shine, and it sure does. We set it up, ran room calibration, and then tweaked it until we felt it was really dialed in. Then, we ran a host of listening tests. We have to say, this A10 is incredible.\u003c\/p\u003e\n    \n\u003cp\u003eListening to tracks from different genres of music, like \u003cem\u003eThe Birth of a Band\u003c\/em\u003e by Quincy Jones and \u003cem\u003eStarboy\u003c\/em\u003e by The Weeknd, proved that the A10 has some serious chops. No matter what we played, the A10 just sounded phenomenal and proved that the ESS Dac inside was musical and enjoyable to listen to all day long. We could go on and on, but in short, the A10 rocks. If you have the budget and are looking for a streamer\/preamp, you will not be disappointed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/Eversolo-A10-20.jpg\" alt=\"Eversolo A10\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eFor fun, we also tested the A10 with a pair of nice powered bookshelf speakers to simulate a situation where you have a limited budget and want to put the vast majority into this great streamer\/preamp and look to upgrade to better amps and speakers later. As you might expect, the A10 made these speakers come alive in a way we had not previously heard. So we believe the A10 could turn out to be not only a great steamer upgrade for people but also the start of a much better system over time. But if you want a deeper dive, you can check out our article at the link in the description.\u003c\/p\u003e\n    \n\u003cp\u003ePlus, if you want to pair up a matching amp, the Amp-F10 will be coming very soon, which will be the perfect match aesthetically. This is a completely redesigned amp from their previous Amp-F2, which was built from the ground up by Eversolo themselves. It will feature 200W per channel and up to 650 watts in bridged mode. We will have one in very soon for a review to put it to the test and let you know how it performs, so make sure you’re subscribed and have the notification bell turned on so you don’t miss that video when it drops.\u003c\/p\u003e\n    \n\u003cp\u003eMany Eversolo fans are already sold on Eversolo and likely want to know how we feel the A10 stacks up against the A6, A6 Master, and A8. First of all, if you are using it as a streamer only without leveraging the DAC and pre-amp, it's likely not worth the upgrade. However, if you are really into great sound and have the budget, we do believe this is a worthy upgrade. You get upgraded clocks, power supply, dual subs, and room correction, along with overall sonic improvement.\u003c\/p\u003e\n    \n\u003chr\u003e\n\u003ch2 class=\"subhead margin\"\u003eWe’re here to help!\u003c\/h2\u003e\n\n\u003cp\u003eIf you have further questions, contact our experts via \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/contact\"\u003echat, phone, or email\u003c\/a\u003e. Or simply visit one of our \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/locations\"\u003eworld-class showrooms\u003c\/a\u003e to experience speakers, projectors, TVs, and everything in between for yourself before you make a purchase!\u003c\/p\u003e\n    \n\u003cp\u003eIf you’re planning your home theater or media room, check out our \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/home-theater-design\"\u003eHome Theater Design page\u003c\/a\u003e, where we have everything Home Theater related, including our \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/home-theater-design#shopify-section-template--15579935178836__custom_liquid_tXCbWJ\"\u003eFREE Home Theater Design Tool\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eWhen you buy from Audio Advice, you’re buying from a trusted seller since 1978. We offer \u003cstrong\u003eFree Shipping\u003c\/strong\u003e, \u003cstrong\u003eLifetime Expert Support\u003c\/strong\u003e, and our \u003cstrong\u003ePrice Guarantee\u003c\/strong\u003e. We look forward to serving you!\u003c\/p\u003e\n\u003c\/div\u003e\n\n","brand":"EverSolo","offers":[{"title":"Default Title","offer_id":41652540833876,"sku":"EVERSOLO:DMP-A10","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/img_02-YsEWpW6i.jpg?v=1729960317"},{"product_id":"primare-pre35-modular-preamplifier","title":"Primare PRE35 Modular Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eTechnology\u003c\/h2\u003e\n\t\n\t\u003cp\u003ePRE35 modular balanced is an exceptional system control center, providing umprecedented low noise and distortion free selection and transmission of any analog input, as a result of the carefully circuit design benefitting from the use of a four layer main board to achieve the shortest possible signal path.\n\nIn addition to comprehensive input and output options, featuring both XLR and RCA connection, the modular design of the PRE35 also allows for a sophisticated digital to analog converter module, DM36, as well as a Prisma network player module, SM35, to be added to the amplifier at any time for unprecedented system customization.\u003c\/p\u003e\n\t\t\n\u003ch2 class=\"subhead margin\"\u003eThe look and feel of Scandinavia\u003c\/h2\u003e\n\t\n\t\u003cp\u003eWe believe that every aspect of our products – the way they look, the satisfying feel of the controls – contributes to the overall experience of living with Primare. As a result, Primare products exude the hallmarks of Scandinavian design – simple, elegant designs, with approachable and easy to understand functionality.\n\nAn example of this is our signature control knob, known throughout the industry for both its appearance as well as how it feels in the hand as an input is selected or volume adjusted. – or as we say lagom, not too much not too little, everything in balance, proportion, and harmony.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eModular Design and System Building\u003c\/h2\u003e\n\t\n\t\u003cp\u003eWe feel it is essential to offer modularity whenever possible in order to have just the right features, both now and for the future. Modular design is featured in the I25 and I35 modular integrated amplifiers, as well as the PRE35 modular preamplifier, all of which can be updated with DAC and Prisma modules, as well as the CD35 CD player that can have the Prisma module added, either at the time of purchase or at a later date. As a result, we are able to offer a carefully considered array of models and configurations in order to allow for device selection that best fits any system need. For example, a CD35 with Prisma module installed can be paired with an I35 integrated amplifier, allowing for a separation of analog and digital stages. Or, an I35 with DAC and Prisma modules installed can be paired with a DD35 CD transport, allowing for multi-room and multi-zone playback of every input, whether analog or digital source.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Primare","offers":[{"title":"Titanium","offer_id":41698846441556,"sku":"PRIMARE:PRE35-T","price":4199.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":41698846474324,"sku":"PRIMARE:PRE35-B","price":4199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/PRE35-titanium-side_1.jpg?v=1732215213"},{"product_id":"primare-pre35-prisma-dm36-modular-preamplifier-network-player","title":"Primare PRE35 Prisma DM36 Modular Preamplifier Network Player","description":"\u003cdiv class=\"col_narrow\"\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eTechnology\u003c\/h2\u003e\n\t\n\t\u003cp\u003ePRE35 modular balanced is an exceptional system control center, providing umprecedented low noise and distortion free selection and transmission of any analog input, as a result of the carefully circuit design benefitting from the use of a four layer main board to achieve the shortest possible signal path.\n\nIn addition to comprehensive input and output options, featuring both XLR and RCA connection, the modular design of the PRE35 also allows for a sophisticated digital to analog converter module, DM36, as well as a Prisma network player module, SM35, to be added to the amplifier at any time for unprecedented system customization.\u003c\/p\u003e\n\t\t\n\u003ch2 class=\"subhead margin\"\u003eThe look and feel of Scandinavia\u003c\/h2\u003e\n\t\n\t\u003cp\u003eWe believe that every aspect of our products – the way they look, the satisfying feel of the controls – contributes to the overall experience of living with Primare. As a result, Primare products exude the hallmarks of Scandinavian design – simple, elegant designs, with approachable and easy to understand functionality.\n\nAn example of this is our signature control knob, known throughout the industry for both its appearance as well as how it feels in the hand as an input is selected or volume adjusted. – or as we say lagom, not too much not too little, everything in balance, proportion, and harmony.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eModular Design and System Building\u003c\/h2\u003e\n\t\n\t\u003cp\u003eWe feel it is essential to offer modularity whenever possible in order to have just the right features, both now and for the future. Modular design is featured in the I25 and I35 modular integrated amplifiers, as well as the PRE35 modular preamplifier, all of which can be updated with DAC and Prisma modules, as well as the CD35 CD player that can have the Prisma module added, either at the time of purchase or at a later date. As a result, we are able to offer a carefully considered array of models and configurations in order to allow for device selection that best fits any system need. For example, a CD35 with Prisma module installed can be paired with an I35 integrated amplifier, allowing for a separation of analog and digital stages. Or, an I35 with DAC and Prisma modules installed can be paired with a DD35 CD transport, allowing for multi-room and multi-zone playback of every input, whether analog or digital source.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Primare","offers":[{"title":"Titanium","offer_id":41698846539860,"sku":"PRIMARE:PRE35-PRISMA-DM36-T","price":5599.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":41698846572628,"sku":"PRIMARE:PRE35-PRISMA-DM36-B","price":5599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/PRE35-titanium-Side-prisma.jpg?v=1732217046"},{"product_id":"primare-sp25-prisma-home-cinema-preamplifier-processor","title":"Primare SP25 Prisma Home Cinema Preamplifier Processor","description":"\u003cdiv class=\"col_narrow\"\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eKey Features\u003c\/h2\u003e\n\t\n\t\u003cp\u003eDolby Atmos, DTS X, and derived immersive audio processing\neARC advanced high resolution audio and video HDMI connection system for best system interaction and performance.\nDirac Live Room Correction technology ensures the best possible audio performance with any system in any room\nPrisma network player to stream hundreds of music services including high resolution platforms like Qobuz, Spotify, and Tidal HiFi\nRoon Ready advanced media management software with future free update\u003c\/p\u003e\n\t\t\n\u003ch2 class=\"subhead margin\"\u003eSystem Configuration\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe SP25 Prisma offers 11 channels of immersive audio processing, with seventeen customisable input pre-sets allowing for virtually any combination of digital and analog input configurations. Additionally, five customisable speaker setup pre-sets allow for a variety of speaker and DSP configurations, which allied with dual Front Left \/ Right analog outputs for bi-amping the main stereo speakers serve to support virtually any system configuration.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eDIRAC LIVE\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe interaction between your Primare system and the physical layout of your room has a huge impact on sound quality. With Dirac Live® Room Correction you can apply state-of-the-art, patented algorithms to analyse and digitally reduce room impact and enhance speaker performance through your Primare system. Dirac Live delivers a larger sweet spot, accurate staging, clarity, voice intelligibility, and a deeper, tighter bass not otherwise possible. Fully tunable to your preference.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003ePRISMA Remote Control\u003c\/h2\u003e\n\t\n\t\u003cp\u003eSPA25 Prisma will be the first model to include the new PRISMA system remote control, providing IR control for every past and present Primare model:\n\nBasic TV control\nOTA update support\nBacklit\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eOur design philosophy\u003c\/h2\u003e\n\t\n\t\u003cp\u003ePrimare products are informed by our practical design approach, embodied by the Scandinavian design ideal of lagom – that sense of not too much or too little, but just right; everything in balance, proportion, and harmony.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Primare","offers":[{"title":"Titanium","offer_id":41698847031380,"sku":"PRIMARE:SP25-PRISMA-T","price":4200.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":41698847064148,"sku":"PRIMARE:SP25-PRISMA-B","price":4200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/SP25-Front-Titanium.jpg?v=1732573346"},{"product_id":"hegel-p30a-stereo-preamplifier","title":"Hegel P30A Stereo Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe P30A is Hegel's reference preamplifier. They have nicknamed it The Conductor because its job is to control the power amplifier with a signal that is as true to the music as possible. In their view, the preamplifier is the most critical component in a great sounding system, and it is also the hardest to get right. The very low amplitude signals coming from the source are easily corrupted, so in-depth technical know-how and clever engineering are needed to make sure the signal stays the same all the way through the preamplifier. With the P30A Hegel has deployed all their skills in doing just that.\u003c\/p\u003e\n\t\n\u003cp\u003eFirst, Hegel use single pair FET transistors that have no higher order harmonic distortion. Within any batch of transistors, there will always be slight measurement variations. This might be within the bounds of what is considered normal deviations, but for sensitive electronics like this, that simply isn't good enough. Therefore, Hegel's founder and chief engineer Bent measures and carefully matches those transistors that have the exact same values. Having perfectly matched transistors is of paramount importance to the performance of the preamplifier, and it makes the P30A sound very smooth and natural, without compromising on the details. Furthermore, the internal layout is designed in a way that makes the signal paths within the preamplifier as short as possible. This reduces the possibility of distortion coming from electrical interference. To further reduce distortion, they also minimize the number of electrical components the signal passes through. In the P30A the music signal only passes through two transistors and an ultra-low noise volume attenuator. The P30A also uses Hegel's patented SoundEngine technology. This actively monitors the music signal for corruptions and corrects for intermodulation distortion using a feed forward design. SoundEngine effectively removes distortion in real time as the signal is amplified.\u003c\/p\u003e\n\t\n\u003cp\u003eAll these steps make for a preamplifier that is very quiet and handles the sensitive low amplitude music signal as delicately as possible. Even so, distortion of the signal can still happen, but the P30A has one more feature that takes care of this. The P30A is fully balanced all the way through. This means you have two separate amplifiers, volume controls, and SoundEngine modules per channel. With this design, almost all leftover distortion is canceled out, and what you are left with is a signal that is as close to the original source material as possible.\u003c\/p\u003e\n\t\n\u003cp\u003eThe P30A offers a wide array of inputs and outputs. It features 2 balanced (XLR) and 3 unbalanced (RCA) inputs and a fixed level Home Theatre input that allows you to integrate it into a Home Theatre system. This input can also be configured to act as a normal input. On the other end you have one balanced (XLR) and two unbalanced (RCA) variable outputs that are all active, allowing you to connect several devices at the same time. One of the unbalanced RCA outputs can even be configured to be a fixed volume output. The P30A also has a 3,5 mm IR-direct input and a 12V trigger output connector. When you add it all up you get a highly versatile, extremely quiet, and natural sounding preamplifier that can be the heart of any high-end audio system. You get the P30A - A truly brilliant conductor of all music.\u003c\/p\u003e\n\t\n\u003c\/div\u003e","brand":"Hegel","offers":[{"title":"Default Title","offer_id":41766448562260,"sku":"HEGEL:P30A","price":9900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/P30A_SE_White_web.jpg?v=1734635844"},{"product_id":"hegel-p20-stereo-preamplifier","title":"Hegel P20 Stereo Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe P20 comes with a high-quality system remote control, milled out of one solid piece of aluminum. It has the same bead blasted and anodized surface finish as the preamplifier itself. You can really feel the quality of each part of the P20; not only hear it. There is a total of 5 regular inputs. Both balanced and unbalanced. In addition, a special Home Theatre input allows integration in Home Theatre systems. Finally, there are both balanced and unbalanced outputs as well as a fixed line-level output.\u003c\/p\u003e\n\t\n\u003cp\u003eThe idea behind the P20 was to offer a more affordable entry into Hegel's line of separates. But most of all, it was to set a new standard of price and performance in preamplifiers — something Hegel believes they have achieved. The preamplifier is perhaps the most delicate unit in a sound system. Because the signal levels are so low, even the tiniest levels of noise or distortion smear the image and mask the small details that enliven the music.\u003c\/p\u003e\n\t\n\u003cp\u003eIn designing the P20, Hegel achieved the highest quality of sound at such a low price point by using brand new technologies, such as Silicon Germanium transistors. In addition, they implemented high-frequency components that were not originally designed for audio, and use them in ways that had never been done before. The result is an open and natural sounding preamplifier at a very competitive price.\u003c\/p\u003e\n\t\n\u003c\/div\u003e","brand":"Hegel","offers":[{"title":"Default Title","offer_id":41766448595028,"sku":"HEGEL:P20","price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/P20b_front.jpg?v=1734635712"},{"product_id":"t-a-dac-200-d-a-converter-pre-amplifier","title":"T+A DAC 200 D\/A Converter \/ Pre-Amplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eDe-Jitter Masterclock\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe T+A De-Jitter Masterclock was developed with the goal of freeing all T+A DACs from interference signals, and in particular those which result from the use of computers. This type of interference - known as jitter - is caused by minimal timing errors, which still manage to exert a harmful influence on the sound experience unless they are removed before the conversion into analogue signals.\u003c\/p\u003e\n\t\n\t\u003cp\u003eThe De-Jitter Masterclock was developed in Herford, Germany, and constitutes a consistent audiophile response to jitter: in a multi-stage process the incoming signals are examined, and even the largest of jitter artefacts are removed. In the first stage the incoming signal delivers a raw clock pulse which is analysed very closely by micro-processors: the signal is then switched to the Masterclock - but only if its frequency and stability fulfil strict minimum criteria. If those criteria are not met, the signals are cleaned again through a further PLL stage in a specially constructed second jitterbug; this process reduces the residual jitter by a factor of 4.\u003c\/p\u003e\n\t\n\t\u003cp\u003eSignals which fulfil the purity requirements are de-coupled completely from the input jitter by switching to the Masterclock. The incoming signals are further processed by precision oscillators with the best available femto-clock accuracy. Each oscillator is reserved for a single clock family; the Masterclock covers both the odd 44.1 kHz to 705,6 kHz clock as well as the even 48 kHz to 768 kHz clock.\u003c\/p\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003ePath Separation Technology\u003c\/h2\u003e\n\t\n\t\u003cp\u003eT+A believe in reproducing music in its purest form, and they make every effort right at the development stage to eliminate even the most minimal of interference factors. Joint processing of PCM and DSD files in a single converter is one such a source of interference: supposedly insignificant, but in fact having a crucial influence on the sound. It was their insistence on eliminating this particular influence that caused them to develop the unique T+A Path Separation Technology: both PCM and DSD have their own converter, specifically tailored to their requirements. These converters exclude adverse sound influences as well as exploiting the potential of each format to the full. For PCM signals they use a quadruple converter, whereas DSD files are processed using the T+A True 1-bit converter, which is unique in the world.\u003c\/p\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003eConverters \u0026amp; Filters\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe T+A True 1-bit converter is unique, as it forms a break with a paradigm: conventional converters process DSD signals by converting them into PCM, and reproducing them using the PCM mode. But this conversion contradicts T+A's principles, and caused them to develop the True 1-bit converter, which processes DSD files in their native form, without detrimental conversion processes, and reproduces them in totally pure form as genuine 1 Bit Stream.\u003c\/p\u003e\n\t\n\t\u003cp\u003eT+A's PCM Quadruple Converter features a double symmetrical circuit design comprising eight 32-bit Burr-Brown converters, thereby providing above-average compensation for non-linearities in the sound, and reduces the already minimal background noise by a further 6 dB. This sophistication results in amazing dynamism and linearity combined with an equally amazing freedom from distortion. Although we believe in unadulterated music reproduction, the Bezier filters - another in-house development - in the quadruple converter can be exploited by the listener to fine-tune the sound characteristics to their individual taste. The application of polynomials results in perfect timing behaviour for each of the six available filters, two of which are NOS stages.\u003c\/p\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003eGalvanic Separation DASS\u003c\/h2\u003e\n\t\n\t\u003cp\u003eAnalog sound quality is crucially determined by consistent separation between the digital and analogue sections. This separation, which is termed the “Digital Analogue Separation System (DASS)”, utilizes ultra-fast digital isolators from Silicon Labs to provide galvanic separation between the analogue and digital sections. Since it is vital to maintain this separation through the entire signal chain, the mains sections for the analog and digital signal paths are also completely separated galvanically.\u003c\/p\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003eInputs, Pre-amp \u0026amp; Outputs\u003c\/h2\u003e\n\t\n\t\u003cp\u003eNo restrictions of any kind - this maxim was T+A's guide in determining the DAC 200’s connections. Its inputs are as universal as they are high in quality. The USB-B inputs are based on the new high-resolution Thesycon chip, which processes signals up to DSD 1024. AES\/EBU and BNC are also present, as is SP\/DIF in optical and coaxial forms. The T+A SYS Link completes the high-speed signal connection within the Series 200 via the SYS IN input. One analog input is installed as standard, but two stereo HDMI inputs are available as an option.\u003c\/p\u003e\n\t\n\t\u003cp\u003eAs a specialized pre-amplifier, the DAC 200 features a discreet Class A pre-amplifier section as well as double mono “State of the Art” output stage, while also providing several outputs designed to cope with any requirement. Balanced XLR and unbalanced RCA outputs transfer the analogue signals to the output stages, while headphones connect via a balanced 4.4mm Pentaconn headphone output, which draws its signal from a special high-performance headphone amplifier. In contrast to conventional chip solutions, this is of fully discreet construction, and is specially designed for the requirements of headphones. An HDMI output with Audio Return Channel (ARC) for HDMI signal pass-through is available on the optional HDMI board.\u003c\/p\u003e\n\t\n\u003c\/div\u003e","brand":"T+A","offers":[{"title":"Black","offer_id":41915398455380,"sku":"TA:DAC200-BLK","price":8895.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":41915398488148,"sku":"TA:DAC200-SLV","price":8895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/DAC200_schwarz_Front.jpg?v=1741361798"},{"product_id":"mcintosh-c12000-stereo-preamplifier-75th-anniversary-edition","title":"Mcintosh C12000C M2-Channel Solid State and Vacuum Tube Preamplifier 75th Anniversary Edition","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eKey Features\u003c\/h2\u003e\n\t\n\t\u003cul\u003e\n\u003cli\u003eIncludes McIntosh's Hybrid Drive technology that uses the best of vacuum tubes and solid state to produce the best sound performance\u003c\/li\u003e\n\t\t\u003cli\u003eSeparate audio \u0026amp; control sections\u003c\/li\u003e\n\t\t\u003cli\u003e12 analog inputs including 2 configurable phono inputs\u003c\/li\u003e\n\t\t\u003cli\u003eOffers both solid state and vacuum tube output\u003c\/li\u003e\n\t\t\u003cli\u003eFully balanced circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003eMAXIMUM CONTROL AND CONFIGURABILITY\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe C12000 is comprised of the C12000 Controller module and the C12000 Preamplifier module. All power control, data ports, and external control connections are located in the C12000 Controller. Dual isolated power supplies drive the left and right channels, while a dual microprocessor gives robustness to the control system. The C12000 Preamplifier houses the audio connections and circuitry. Inside each, the left and right channels are electrically and mechanically isolated from each other to allow true dual mono operation – resulting in the ultimate stereo separation and sonic purity. The two units are connected together via a pair of specially designed, high performance umbilical cables that are shielded to prevent outside noise from leaking into the audio signal. Although they are two separate units, when connected they act as one and are easy to control and operate from the included remote control or the C12000 Controller front panel.\u003c\/p\u003e\n\t\n\t\u003cp\u003eA total of 12 analog inputs\u003csup\u003e1\u003c\/sup\u003e are located in the C12000 Preamplifier module: six balanced, four unbalanced, and two unbalanced phono inputs. The phono inputs are no longer set up as dedicated for Moving Coil or Moving Magnet cartridges; instead, both are configurable as either Moving Coil or Moving Magnet with adjustable Capacitance and Resistance Loading, along with adjustable Gain in 6dB steps from 40dB to 64dB. This provides maximum flexibility for you to configure the C12000 to best fit your turntable(s), cartridge(s), and vinyl record collection.\u003c\/p\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003eHYBRID DRIVE\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe C12000 includes McIntosh's Hybrid Drive technology that uses the best of vacuum tubes and solid state to produce the best sound performance. The C12000 Preamplifier module offers both vacuum tube and solid state output, allowing you to decide which to use based on the music being played, the audio components in the rest of your home audio system, and your sound preferences. All outputs are driven by discrete amplifiers. For vacuum tube output, six tubes or valves power the high-level preamplifier section with two 12AT7 tubes and one 12AX7A tube assigned to each the left and right channel. Solid state output is via a discrete balanced op-amp.\u003c\/p\u003e\n\t\n\t\u003cp\u003eRegardless if you choose the vacuum tube or solid state output, the phono stage utilizes four 12AX7A vacuum tubes, with two tubes used per channel in a fully balanced configuration that incorporates RIAA equalization.\u003c\/p\u003e\n\t\n\u003ch2 class=\"subhead margin\"\u003eFLEXIBLE AND SEAMLESS INTEGRATION\u003c\/h2\u003e\n\t\n\t\u003cp\u003eFor connecting the C12000 to your amplifier(s) and the rest of your home music system, there are four total outputs: one balanced vacuum tube; one balanced solid state; one fixed unbalanced; and one programmable unbalanced (can be either vacuum tube or solid state). The amount of user adjustments available on the two phono inputs and all the outputs represent a new level of customization in McIntosh preamplifier design, allowing you maximum flexibility in how you want to configure your audio system.\u003c\/p\u003e\n\t\n\t\u003cp\u003eThe amplifier circuit has a high common mode rejection, so any noise introduced by interconnect cables is significantly reduced. For personal listening, a high-output High Drive headphone jack is included, while the user selectable Headphone Crossfeed Director (HXD) brings an added depth and spatiality to your music. The C12000 can be seamlessly integrated into your existing multi-channel home theater system via the Home Theater Pass Through feature.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eRICH AND REFINED\u003c\/h2\u003e\n\t\n\t\u003cp\u003eThe C12000 preamplifier employs fully balanced circuitry to match the level of performance achieved in any of McIntosh's Quad Balanced amplifiers. Both the C12000 Controller and C12000 Preamplifier chassis are made from stainless steel polished to a mirror finish plus hairline brushed black Titanium stainless steel, offering an enhanced degree of richness and refinement.\u003c\/p\u003e\n\t\n\t\u003cp\u003eWith classic McIntosh black glass front panels, blue meters, knobs, stainless steel chassis, illuminated logos, and custom machined brushed aluminum handles, the C12000 makes a visual statement in addition to its audio prowess. It can be paired with a variety of McIntosh amplifiers, speakers, room correction devices, CD players, turntables, tuners, media streamers and other source components to make a complete home audio system.\u003c\/p\u003e\n\t\n\u003cp\u003e\u003csmall\u003e1. The C12000 does not include a direct interface to the D1100 Digital Preamplifier.\u003c\/small\u003e\u003c\/p\u003e\n\t\n\u003c\/div\u003e","brand":"McIntosh","offers":[{"title":"Default Title","offer_id":41929148563540,"sku":"MCINTOSH:C12000C-AN","price":10500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/c12000c-and-st-front-phono-1.jpg?v=1741893244"},{"product_id":"onkyo-icon-p-80-2-channel-hifi-network-preamplifier","title":"Onkyo Icon P-80 2-Channel HiFi Network Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003ePatented DIDRC distortion reduction circuitry\u003c\/li\u003e\n  \u003cli\u003eHDMI ARC\u003c\/li\u003e\n  \u003cli\u003eDirac Live\u003c\/li\u003e\n  \u003cli\u003eWi-Fi, AirPlay 2, Chromecast, Bluetooth\u003c\/li\u003e\n  \u003cli\u003eRoon Ready\u003c\/li\u003e\n  \u003cli\u003eMM\/MC Phono Stage\u003c\/li\u003e\n  \u003cli\u003eFinishes: Black and Silver\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"Onkyo","offers":[{"title":"Black","offer_id":42277735268436,"sku":"ONKYO:ICON-P-80-BLK","price":1999.99,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":42277735301204,"sku":"ONKYO:ICON-P-80-SLV","price":1999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/P80-Blk-2.jpg?v=1773157987"},{"product_id":"naim-uniti-atom-headphone-edition","title":"Naim Uniti Atom Headphone Edition","description":"\u003cdiv class=\"col_narrow\"\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eJust You, And The Music\u003c\/h2\u003e\n\t\n\u003cp\u003eThere is no easier way for you to get up close and personal with music than with the Uniti Atom Headphone Edition; put on your headphones, take yourself away, with no distractions. For even more flexibility, you can keep up to three headphones plugged in and switch sets depending on your listening preference.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eStream With Ease\u003c\/h2\u003e\n\t\n\u003cp\u003eImmerse yourself in musicality with vast streaming features. Stream your own digital music library, favorite radio stations, and podcasts. Access music from Spotify, TIDAL and Qobuz, and wirelessly stream directly from all your devices via Apple AirPlay 2 and Chromecast built-in.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eMulti-Room Music\u003c\/h2\u003e\n\t\n\u003cp\u003eThe Focal \u0026amp; Naim app allows you to connect to other sources, from turntables to USB drives, opening up a variety of options, and with the possibility of a multi-room setup, you can easily control several devices. Adapting and changing your music depending on what room you are in or synchronizing all your musical devices for a captivating musical experience.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eCompatibility\u003c\/h2\u003e\n\t\n\u003cp\u003eUniti Atom Headphone Edition works seamlessly with other Naim streaming products, including Mu-so systems. You can also pair Uniti Atom Headphone Edition with other AirPlay 2-compatible wireless speakers via the Apple Home app or other Chromecast built-in devices via the Google Home app.\u003c\/p\u003e\n\n\n\u003c\/div\u003e","brand":"Naim","offers":[{"title":"Default Title","offer_id":42454427959380,"sku":"NAIM:UNITI-ATOM-HEAD","price":3799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/UnitiHeadphone-1.jpg?v=1757449089"},{"product_id":"primaluna-evo-200-tube-preamplifier","title":"PrimaLuna Evo 200 Tube Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003ePrimaLuna EVO 200 Tube Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe PrimaLuna EVO 200 Tube Preamplifier is designed as a pure, dual-mono valve control center that brings warmth, dimensionality, and effortless dynamics to any power amplifier. Tube rectification with separate 5AR4 rectifiers per channel, point-to-point wiring, and custom potted toroidal transformers help deliver a remarkably low noise floor and holographic soundstage. Premium parts such as Takman resistors, high-quality capacitors, and an ALPS Blue Velvet volume control ensure long-term reliability and refined tonal balance. With multiple line-level inputs, home theater bypass, and robust build quality, the EVO 200 preamp anchors high-performance two-channel systems with ease.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PrimaLuna","offers":[{"title":"Black","offer_id":42695172816980,"sku":"PLUNA:PE200PRE-BLK","price":3795.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":42695172849748,"sku":"PLUNA:PE200PRE-SLV","price":3795.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/099b-PrimaLunaEvo200TubePreamplifier-black-frontlow-whitebackground.jpg?v=1764101759"},{"product_id":"jl-audio-primacy-cs-centerpiece-preamplifier","title":"JL Audio Primacy CS Centerpiece Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\n\u003ch3 class=\"hp-title\"\u003eCS Centerpiece\u003c\/h3\u003e\n\u003cbr\u003e\n\u003ch2 class=\"subhead margin\"\u003eDigital Audio\u003c\/h2\u003e\n\u003cp\u003eHigh-performance, triple-core DSP, operating at 32-bit\/192 kHz audio resolution, matching the DSPs in each loudspeaker.\u003c\/p\u003e\n\u003cp\u003eConnect all your sources and streaming services on your TV to the centerpiece via a single HDMI cable with support for ARC\/eARC.\u003c\/p\u003e\n\u003cp\u003eConnect your computer or other USB digital audio component to the centerpiece’s universal plug-and-play USB-C® connection.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eAnalog Audio\u003c\/h2\u003e\n\u003cp\u003eNo op-amps or coupling capacitors are in its analog signal paths – only highly optimized discrete circuitry.\u003c\/p\u003e\n\u003cp\u003eConnect additional source components via two pairs of analog inputs, each precisely optimized to drive the centerpiece’s dual-mono ESS analog-to-digital converters for maximum performance.\u003c\/p\u003e\n\u003cp\u003eConnect two subwoofers or an external amplifier to the included analog outputs.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eRemote Control Compatibility\u003c\/h2\u003e\n\u003cp\u003eSimple one-cable HDMI ARC\/eARC connection to your compatible television enables a TV remote to adjust the volume level of the centerpiece when you’re watching TV or streaming content.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eInput Connections\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eHDMI audio with ARC\/eARC (1)\u003c\/li\u003e\n  \u003cli\u003eOptical digital (3)\u003c\/li\u003e\n  \u003cli\u003eUSB-C audio (1)\u003c\/li\u003e\n  \u003cli\u003eAnalog stereo (2 pr)\u003c\/li\u003e\n  \u003cli\u003ePhono stereo (1 pr)\u003c\/li\u003e\n  \u003cli\u003eP.A.R.C. calibration microphone (1)\u003c\/li\u003e\n\u003c\/ul\u003e\n\t\n\u003cbr\u003e\n\u003ch3 class=\"hp-title\"\u003ePrimacy Audio Systems\u003c\/h3\u003e\n\u003cbr\u003e\n\u003ch2 class=\"subhead margin\"\u003ePrimacy Centerpiece Compatible\u003c\/h2\u003e\n\u003cp\u003eEnhance your system with the optional Primacy CS Centerpiece, which allows for control of digital, analog, and streaming sources as well as Primacy Automatic Room Optimization (P.A.R.O.).\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eConnections and Streaming\u003c\/h2\u003e\n\u003cp\u003eThe optional CS Centerpiece connects to your compatible loudspeakers via Dante® networking, preserving a high-resolution digital signal flow. You can also connect to your compatible smartphone or computer via Ethernet, Wi-Fi® connectivity or Bluetooth® technology, and stream audio from your favorite online sources.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eUser Profiles\u003c\/h2\u003e\n\u003cp\u003eFine-tune your audio experience based on your room’s acoustics, seating position and frequency response preferences.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eRoom Optimization\u003c\/h2\u003e\n\u003cp\u003eWhen paired with your Primacy loudspeakers, you’ll get P.A.R.O., which measures and optimizes the entire system — as well as any additional powered subwoofers — for your room and listening position.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eActive Design\u003c\/h2\u003e\n\u003cp\u003eIndividual amplifier channels are connected to each driver section. This allows for optimal control and damping over each moving diaphragm.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eBuilt-In Amplifiers\u003c\/h2\u003e\n\u003cp\u003eEach loudspeaker features multiple built-in amplifiers — one for each driver section — employing our most advanced switching technology. DSP filtering occurs at the input of each of the active amplifier channels.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eAlloy Casting\u003c\/h2\u003e\n\u003cp\u003eThe enclosure starts with a one-piece alloy casting, which includes many internal features, such as the bracing and ports for the woofer section.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eHigh-Performance Triple-Core DSP\u003c\/h2\u003e\n\u003cp\u003eA digital signal processor, operating at 32-bit\/192 kHz audio resolution, provides precise control over crossover filters, equalization, dynamics, delay, and phase.\u003c\/p\u003e\n\n\u003ch2 class=\"subhead margin\"\u003eBeautifully Built\u003c\/h2\u003e\n\u003cp\u003eOptional replaceable cosmetic panels are available in a variety of finishes to match a wide range of decors.\u003c\/p\u003e\n\t\n\u003c\/div\u003e","brand":"JL Audio","offers":[{"title":"Default Title","offer_id":46603970314324,"sku":"JL:PRIMACY-CENTERPIECE","price":15000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/Centerpiece.jpg?v=1777986489"},{"product_id":"eversolo-dmp-a8-gen-2","title":"EverSolo DMP-A8 Gen 2 Network Streamer, DAC, \u0026 Preamp - Black","description":"\u003cdiv class=\"col_narrow\"\u003e\n  \u003ch2 class=\"subhead margin\"\u003eFlagship Streaming DAC Performance\u003c\/h2\u003e\n  \u003cp\u003eAt the heart of the DMP-A8 Gen 2 is Eversolo's flagship digital audio architecture, pairing the premium AK4191EQ digital processor with the AK4499EXEQ DAC for exceptional precision throughout the signal path. Supporting PCM up to 768kHz\/32-bit and native DSD512 playback, it preserves every nuance of your music while AKM's Velvet Sound™ technology delivers natural vocals, lifelike imaging, and outstanding musical detail across local and streaming sources.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eLow-Noise Power \u0026amp; Precision Clocking\u003c\/h2\u003e\n  \u003cp\u003eThe DMP-A8 Gen 2 is engineered to protect signal integrity from source to output. Separate linear and digital power supplies, internal electrical isolation, ultra-low-noise power regulation, and dedicated dual low phase-noise clocks minimize electrical interference and jitter for improved clarity, greater instrument separation, and a quieter background. The result is clean, stable playback with excellent imaging and dynamic realism.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eFully Balanced Analog Stage with R-2R Volume Control\u003c\/h2\u003e\n  \u003cp\u003eDesigned to serve as the heart of a premium audio system, the DMP-A8 Gen 2 features a fully balanced analog preamplifier with XLR and RCA inputs and outputs. Its precision R-2R analog resistor ladder volume control preserves dynamics and low-level detail without digital attenuation, providing transparent volume adjustment whether connected directly to power amplifiers or active speakers.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003ePowerful Hardware Meets an Intuitive Experience\u003c\/h2\u003e\n  \u003cp\u003eA high-performance octa-core processor, 8GB of RAM, and 64GB of internal storage deliver fast response, smooth navigation, and effortless library management. The responsive touchscreen interface, precision rotary control, and premium aerospace-grade aluminum chassis combine with animated VU meters and dynamic visualizations to create an experience that's as refined visually as it is sonically.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eComprehensive Streaming \u0026amp; Bit-Perfect Playback\u003c\/h2\u003e\n  \u003cp\u003eNative support for Apple Music, Spotify, TIDAL, Qobuz, Amazon Music, Deezer, and many other streaming platforms provides seamless access to today's most popular music services. Eversolo's proprietary EOS Audio Engine bypasses Android sample-rate conversion for true bit-perfect playback, while support for Spotify Connect Lossless, TIDAL Connect, Qobuz Connect, DLNA, SMB, NFS, WebDAV, NAS storage, and more ensures effortless access to your entire music collection.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eExtensive Connectivity for Any Hi-Fi System\u003c\/h2\u003e\n  \u003cp\u003eWhether functioning as a complete streaming preamplifier or a dedicated digital transport, the DMP-A8 Gen 2 offers exceptional flexibility. HDMI ARC\/eARC, USB Audio, AES\/EBU, IIS, coaxial, optical, balanced XLR, RCA, dedicated subwoofer output, SFP optical networking, USB OTG, and M.2 NVMe storage expansion make it easy to integrate into virtually any modern high-performance audio system.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eAdvanced Room Correction \u0026amp; Precision Sound Tuning\u003c\/h2\u003e\n  \u003cp\u003eThe integrated evotune™ PRO room correction system analyzes your listening environment using advanced FIR filtering and DRC-based processing to optimize frequency response, timing, and imaging. Combined with a professional 20-band parametric EQ, FIR filter support, loudness control, dynamic range compression, audio upsampling, and EVC volume processing, the DMP-A8 Gen 2 provides powerful tools for fine-tuning your system without sacrificing musical transparency.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eHigh-Resolution Digital Audio Without Compromise\u003c\/h2\u003e\n  \u003cp\u003eSupport for virtually every major high-resolution audio format—including FLAC, WAV, APE, MQA, and native DSD512—ensures compatibility with today's finest recordings. The proprietary Eversolo AuralEngine, intelligent CD playback and ripping support (with an external USB drive), advanced error correction, and high-resolution digital outputs provide a clean, uncompromised signal path whether streaming, playing local files, or using the DMP-A8 Gen 2 as a dedicated transport.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eBuilt for Modern Listening\u003c\/h2\u003e\n  \u003cp\u003eWi-Fi 6, Bluetooth 5.4, Wake-on-LAN, and cross-platform control from smartphones, tablets, web browsers, and TVs make everyday operation effortless. Expand your music library with up to 8TB of internal NVMe storage, manage playback through the Eversolo Control app, and enjoy convenient operation using the included premium Bluetooth and infrared remote control.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"EverSolo","offers":[{"title":"Default Title","offer_id":47337165881428,"sku":"EVRS:DMP-A8-GEN2-BLK","price":1980.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/ProductStandardPNG01.jpg?v=1785532745"},{"product_id":"eversolo-dmp-a8-master-gen-2","title":"EverSolo DMP-A8 Master Edition Gen 2 Network Streamer w\/ CD Playback, DAC, \u0026 Preamp","description":"\u003cdiv class=\"col_narrow\"\u003e\n  \u003ch2 class=\"subhead margin\"\u003eFlagship Streaming DAC Performance\u003c\/h2\u003e\n  \u003cp\u003eAt the heart of the DMP-A8 Master Gen 2 is Eversolo's flagship digital audio architecture, built around the premium AK4191EQ digital processor and AK4499EXEQ DAC. Combined with proprietary Velvet Sound™ technology, it delivers exceptional detail, low distortion, and an expansive soundstage while supporting PCM up to 768kHz\/32-bit and native DSD512 playback. Whether streaming high-resolution music or playing local files, every recording is reproduced with remarkable clarity, realism, and dynamic expression.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003ePrecision Clocking \u0026amp; Ultra-Low Noise Architecture\u003c\/h2\u003e\n  \u003cp\u003eEvery stage of the DMP-A8 Master Gen 2 is engineered to preserve signal integrity. A low phase-noise OCXO master clock, advanced PLL synchronization, isolated digital and analog power supplies, internal electrical isolation, and an ultra-low-noise linear power supply all work together to minimize jitter and electrical interference. The result is a quieter background, greater instrument separation, improved imaging, and a more natural presentation that remains effortless during long listening sessions.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eFully Balanced Analog Stage with R-2R Volume Control\u003c\/h2\u003e\n  \u003cp\u003eDesigned to serve as the centerpiece of a high-end audio system, the DMP-A8 Master Gen 2 features a fully balanced analog preamplifier with both XLR and RCA inputs and outputs. A precision analog R-2R resistor ladder volume control preserves dynamics and low-level detail without the compromises of digital attenuation, delivering clean, transparent performance whether connected directly to power amplifiers or active speakers.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003ePowerful Hardware Meets an Intuitive Experience\u003c\/h2\u003e\n  \u003cp\u003eA high-performance octa-core processor, 8GB of RAM, and 64GB of onboard storage provide responsive navigation, fast library management, and smooth multitasking. The redesigned touchscreen interface pairs with a precision-machined rotary control and premium aluminum chassis for an experience that feels every bit as refined as it sounds, while real-time VU meters and dynamic visualizations bring your music to life.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eComprehensive Streaming \u0026amp; Bit-Perfect Playback\u003c\/h2\u003e\n  \u003cp\u003eNative integration with leading streaming platforms—including Apple Music, Spotify, TIDAL, Qobuz, Amazon Music, and Deezer—delivers a seamless listening experience without sacrificing each service's native features. Eversolo's proprietary EOS Audio Engine bypasses Android sample-rate conversion to maintain a true bit-perfect signal path, while support for Spotify Connect Lossless, TIDAL Connect, Qobuz Connect, DLNA, UPnP, SMB, NFS, WebDAV, and NAS storage ensures effortless access to virtually any music library.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eExtensive Connectivity for Any Hi-Fi System\u003c\/h2\u003e\n  \u003cp\u003eWhether used as a complete streaming preamplifier or a dedicated digital transport, the DMP-A8 Master Gen 2 offers exceptional system flexibility. HDMI ARC\/eARC, USB Audio, AES\/EBU, IIS, coaxial, optical, balanced XLR, RCA, dedicated subwoofer output, USB OTG, and an M.2 NVMe SSD expansion slot allow seamless integration with virtually any modern or legacy audio system. An external 10MHz master clock input and dedicated SFP optical network port further enhance compatibility for reference-grade installations.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eAdvanced Room Correction \u0026amp; Precision Sound Tuning\u003c\/h2\u003e\n  \u003cp\u003eThe upgraded evotune™ PRO room correction system analyzes your listening environment using FIR filtering and DRC-based modeling to optimize frequency response, timing, and imaging. Combined with a professional 20-band parametric EQ, FIR filter support, loudness control, dynamic range compression, audio upsampling, and EVC volume processing, listeners can tailor playback with exceptional precision while preserving musical transparency.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eHigh-Resolution Digital Audio Without Compromise\u003c\/h2\u003e\n  \u003cp\u003eSupport for virtually every major high-resolution audio format—including FLAC, WAV, APE, MQA, and native DSD512—ensures compatibility with today's finest music libraries. Eversolo's AuralEngine USB audio architecture, intelligent CD playback and ripping, advanced error correction, and high-performance digital outputs provide a clean, uncompromised signal path whether you're streaming, ripping CDs, or using the DMP-A8 Master Gen 2 as a dedicated digital transport.\u003c\/p\u003e\n  \u003ch2 class=\"subhead margin\"\u003eBuilt for Modern Listening\u003c\/h2\u003e\n  \u003cp\u003eFrom Wi-Fi 6, Bluetooth 5.4, and Wake-on-LAN to cross-platform control via smartphones, tablets, web browsers, and televisions, the DMP-A8 Master Gen 2 is designed to fit effortlessly into modern homes. Expand your music library with up to 8TB of NVMe storage, control every aspect of playback through the Eversolo Control app, and enjoy a premium remote that supports both Bluetooth and infrared operation for complete convenience.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"EverSolo","offers":[{"title":"Default Title","offer_id":47337166372948,"sku":"EVRS:DMP-A8-ME-GEN2-BLK","price":2580.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/ProductMaster03.jpg?v=1785529699"},{"product_id":"mcintosh-cs7500-streaming-preamplifier","title":"McIntosh CS7500 Streaming Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003ch3 class=\"hp-title\"\u003eA Streaming Preamplifier Built for Modern Hi-Fi\u003c\/h3\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.audioadvice.com\/collections\/mcintosh\"\u003eMcIntosh\u003c\/a\u003e CS7500 is a two-channel streaming preamplifier that combines a traditional McIntosh preamp, network streaming, a high-resolution DAC, an adjustable moving magnet and moving coil phono stage, HDMI ARC, and extensive system control in a single chassis. What it doesn't include is a power amplifier, and that's really the point. Instead of locking you into one amplification platform, the CS7500 lets you choose the power amp that fits your system today and change it later without replacing the rest of your front end.\u003c\/p\u003e\n\u003cp\u003eOur team has visited the McIntosh factory in Binghamton, New York more than once, and seeing these components built changes the way you look at them afterward. Watching the blue meters being assembled by hand and seeing every unit tested before it leaves the building gives you a better appreciation for what goes into a McIntosh component.\u003c\/p\u003e\n\u003cp\u003eBut the most interesting thing about the CS7500 isn't how it's built. It's why McIntosh decided to make it in the first place.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500-Angle-2-hi-res.jpg\" alt=\"McIntosh CS7500 Streaming Preamplifier\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eWhy Does the McIntosh CS7500 Exist?\u003c\/h2\u003e\n\u003cp\u003eFor the last few years, there have basically been two ways to build a modern McIntosh system around streaming.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/www.audioadvice.com\/products\/mcintosh-msa5500-streaming-integrated-amplifier\"\u003eMSA5500\u003c\/a\u003e takes the simplest route. It combines network streaming, digital conversion, preamplification, and a 100-watt-per-channel power amplifier into one component. It's a great solution if you want a compact McIntosh system and don't need to choose your own power amplifier.\u003c\/p\u003e\n\u003cp\u003eThe other route is a traditional component system. A \u003ca href=\"https:\/\/www.audioadvice.com\/products\/mcintosh-ds200-streaming-dac\"\u003eDS200 Streaming DAC\u003c\/a\u003e can feed a separate preamp such as a \u003ca href=\"https:\/\/www.audioadvice.com\/products\/mcintosh-c49-solid-state-preamplifier\"\u003eC49\u003c\/a\u003e, C55, or tube-driven C2800, which then feeds the power amplifier of your choice. That gives you a lot more flexibility, but now you're dealing with multiple chassis, additional cables, another power cord, and more equipment just to get streaming into the system. The DS200 itself is primarily a digital product, with eight digital inputs and no analog preamplifier section.\u003c\/p\u003e\n\u003cp\u003eThe CS7500 lands directly between those two approaches.\u003c\/p\u003e\n\u003cp\u003eYou get streaming, digital conversion, analog preamplification, phono, TV integration, headphone listening, and system control in one component, but the power amplifier remains separate. For someone building a new two-channel McIntosh system, that combination makes a lot of sense.\u003c\/p\u003e\n\u003ch2 class=\"subhead margin\"\u003eMcIntosh CS7500 DAC and High-Resolution Audio\u003c\/h2\u003e\n\u003cp\u003eDigital conversion is handled by an 8-channel, 32-bit DAC operating in McIntosh's Quad Balanced configuration. The CS7500 itself is rated at just 0.005% total harmonic distortion, with a 100dB signal-to-noise ratio on its high-level inputs.\u003c\/p\u003e\n\u003cp\u003eThe Quad Balanced design uses multiple DAC channels for each stereo channel rather than relying on one converter channel per side. The goal is greater dynamic range with lower noise and distortion, and it's an architecture McIntosh also uses in products like the DS200 and its DA2 digital module.\u003c\/p\u003e\n\u003cp\u003eFor high-resolution files, USB supports PCM along with DSD512 and DXD up to 384kHz, while the coaxial and optical inputs support up to 24-bit\/192kHz. The proprietary MCT connection can also carry CD audio and DSD64 from a compatible McIntosh SACD transport.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500-Top-Close-Up-hi-res.jpg\" alt=\"Detail front view of McIntosh CS7500 Streaming Preamplifier\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eStreaming Without Learning Another Music App\u003c\/h2\u003e\n\u003cp\u003eThe streaming platform is one of the biggest reasons to choose the CS7500. You get Qobuz Connect, Spotify Connect, TIDAL Connect, Apple AirPlay, Google Cast, Bluetooth, and Roon. The CS7500 is both Roon Ready and Roon Tested. Bluetooth 5.0 adds AAC, aptX HD, and aptX Adaptive support.\u003c\/p\u003e\n\u003cp\u003eMore importantly, McIntosh isn't forcing you into a proprietary music app for everyday listening. Open Qobuz, Spotify, or TIDAL, select the CS7500, and keep using the interface you already know.\u003c\/p\u003e\n\u003cp\u003eAnd there is another small feature that becomes a pretty big deal in everyday use. When the streaming app supports volume control, it can control the CS7500's volume directly. You aren't stuck using your phone to choose music and then grabbing the McIntosh remote every time you want it louder or quieter.\u003c\/p\u003e\n\u003cp\u003eThat makes the CS7500 feel much more like an integrated streaming system than a conventional preamp with a streamer connected to one of its inputs.\u003c\/p\u003e\n\u003ch2 class=\"subhead margin\"\u003eA Fully Adjustable MM and MC Phono Stage\u003c\/h2\u003e\n\u003cp\u003eThe CS7500 isn't only aimed at digital listeners. Its dedicated phono input can be configured for either moving magnet or moving coil cartridges, and McIntosh gives you control over capacitance, resistance, and gain so you can better match the phono stage to the cartridge you're using.\u003c\/p\u003e\n\u003cp\u003eGain is adjustable to 40, 46, 52, 58, or 64dB. That's a meaningful improvement in flexibility compared with the older C49, which used fixed 40dB moving magnet and 60dB moving coil gain settings.\u003c\/p\u003e\n\u003cp\u003eThat extra adjustment is especially useful with moving coil cartridges, where output levels and recommended loading can vary considerably from one cartridge to another.\u003c\/p\u003e\n\u003cp\u003eAnother feature analog listeners will appreciate is that analog sources can remain analog instead of being automatically converted to digital. That's unusual in an all-in-one streaming preamplifier and gives you the convenience of modern streaming without forcing your turntable or other analog sources through an A\/D and D\/A conversion process.\u003c\/p\u003e\n\u003cp\u003eYou still get traditional bass and treble controls when a recording needs a little help, and they can be bypassed when you don't want them in the signal path.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500-Back-hi-res.jpg\" alt=\"McIntosh CS7500 back view\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eMcIntosh CS7500 Inputs, Outputs, and HDMI ARC\u003c\/h2\u003e\n\u003cp\u003eConnectivity is extensive. On the analog side there are two balanced XLR inputs, three unbalanced RCA inputs, and the configurable phono input. Digital sources get two optical inputs, two coaxial inputs, USB, MCT, and HDMI ARC.\u003c\/p\u003e\n\u003cp\u003eHDMI ARC lets you bring TV audio into the same two-channel system, and the CS7500 can downmix supported Dolby Digital and DTS multichannel audio to stereo. This is strictly an audio connection. The CS7500 doesn't pass HDMI video through the unit.\u003c\/p\u003e\n\u003cp\u003eFor outputs, there are two pairs each of balanced and unbalanced variable outputs, plus a fixed unbalanced output. The second variable output set can be configured for either a single subwoofer or stereo subwoofers.\u003c\/p\u003e\n\u003cp\u003eThere's also Home Theater PassThru. If the CS7500 is being used alongside a surround processor, PassThru lets the front left and right channels from the theater system travel through the preamp to the power amplifier without the CS7500 altering their level.\u003c\/p\u003e\n\u003cp\u003eFor more advanced installations, you also get RS232 control, rear-panel IR input, four DATA OUT ports, and McIntosh Power Control with a main output and two configurable triggers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_half\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500-Front-Close-Up-1-hi-res.jpg\" alt=\"McIntosh CS7500 front panel view\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_half col_last\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500-Front-Close-Up-2-hi-res.jpg\" alt=\"Detail view of front of McIntosh CS7500\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eMcIntosh Design \u0026amp; Build Quality\u003c\/h2\u003e\n\u003cp\u003eVisually, there's no mistaking the CS7500 for anything other than a McIntosh.\u003c\/p\u003e\n\u003cp\u003eThe black glass front panel and illuminated logo remain, along with two blue output meters in the center. The upper chassis uses hairline-brushed black titanium stainless steel, while the lower chassis is mirror-polished stainless steel. McIntosh uses the same combination of premium materials elsewhere in its upper-tier products.\u003c\/p\u003e\n\u003cp\u003eThe CS7500 measures 17.5 inches wide, 6 inches high, and 17 inches deep, and weighs 25 pounds. That's substantial for a component without a power amplifier inside.\u003c\/p\u003e\n\u003cp\u003eThe knobs also have the physical resistance you expect from McIntosh rather than the loose, lightweight feel you find on less expensive components. The front display handles source, volume, and setup information, while the blue meters show preamp output level.\u003c\/p\u003e\n\u003cp\u003eThere's also a 1\/4-inch High Drive headphone output with McIntosh HXD, or Headphone Crossfeed Director. HXD blends a small amount of each channel into the opposite side to make headphone listening feel more like listening to speakers in front of you instead of having left and right channels locked inside your head. Some members of our team prefer HXD on and others prefer it off, so we're glad McIntosh lets you choose.\u003c\/p\u003e\n\u003ch2 class=\"subhead margin\"\u003eSetting Up and Living With the CS7500\u003c\/h2\u003e\n\u003cp\u003eWe spent time with an early CS7500, and day-to-day operation was straightforward. Ethernet is an easy way to get the unit onto the network initially, and once everything is configured, the native streaming integrations make the CS7500 very simple to live with.\u003c\/p\u003e\n\u003cp\u003eOne setup detail is worth knowing if you're connecting it to Wi-Fi with an iPhone or iPad. After the CS7500 is first powered on, it stays available in Apple's \"Set Up New AirPlay Speaker\" Wi-Fi setup list for about 15 minutes. If that setup window closes before you're finished, go into Network Setup on the CS7500 and hold the input knob to make it available for setup again. That's a setup timer, not the CS7500 disappearing from AirPlay every 15 minutes during normal use.\u003c\/p\u003e\n\u003cp\u003eAndroid users and anyone enabling Google Cast use McIntosh's Cast Connect app for the initial network configuration. After that, everyday playback can happen directly through the supported music services.\u003c\/p\u003e\n\u003ch2 class=\"subhead margin\"\u003eMcIntosh CS7500 Sound Quality\u003c\/h2\u003e\n\u003cp\u003eWe started with Lucinda Williams' \u003cem\u003eSings the Beatles From Abbey Road\u003c\/em\u003e, and right away the CS7500 had that familiar McIntosh character. There was a little warmth and extra body through the midrange, especially on Lucinda's voice, but it never came across as dark or overly soft. The bass had plenty of texture and definition, while cymbals and higher-frequency details sounded clean and natural without becoming sharp or fatiguing.\u003c\/p\u003e\n\u003cp\u003eWhat I liked most was that there was plenty of detail to dig into, but the CS7500 never sounded analytical. It kept the richness and soul of the recording intact, which is something McIntosh continues to do really well.\u003c\/p\u003e\n\u003cp\u003eTori Amos' \u003cem\u003eDiving Deep Live 2024\u003c\/em\u003e showed off another strength of the CS7500, which was just how open and effortless it sounded. Tori's voice stayed firmly focused in the center with plenty of body, while the instruments had their own space around her and the ambience of the live recording extended well beyond the speakers.\u003c\/p\u003e\n\u003cp\u003eSmaller details were easy to pick out, but nothing felt exaggerated or pushed forward just to impress you. It had the resolution you'd expect from a really good modern DAC and preamp, but with that slightly warm, full-bodied McIntosh presentation that made it very easy to stop evaluating the system and just listen to the performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col_full\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto; max-width: 100%;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500-Editorial-front_Horizontal.jpg\" alt=\"McIntosh CS7500 Streaming Preamplifier\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col_narrow\"\u003e\n\u003ch2 class=\"subhead margin\"\u003eMcIntosh CS7500 vs. C49 and DS200\u003c\/h2\u003e\n\u003cp\u003eIf you already own a C49 and you're happy with it, I wouldn't look at the CS7500 as a traditional upgrade. It's a different way of building the system.\u003c\/p\u003e\n\u003cp\u003eAdding a DS200 to an existing C49 gives you modern streaming and a high-end DAC without replacing a preamp you already own. The DS200 offers Qobuz Connect, Spotify Connect, TIDAL Connect, AirPlay, Google Cast, Roon, Bluetooth, HDMI ARC, and extensive digital connectivity.\u003c\/p\u003e\n\u003cp\u003eThe CS7500 makes more sense when you're starting fresh. Instead of buying a separate streamer\/DAC and preamp, you're putting those jobs into one chassis while still keeping the power amplifier separate.\u003c\/p\u003e\n\u003cp\u003eCurrent preamps such as the C55 and C2800 still offer some advantages for more complex systems. Both include McIntosh's replaceable DA2 digital module and offer considerably more inputs, while the C55 and C2800 also include a Processor Loop.\u003c\/p\u003e\n\u003cp\u003eThe CS7500's DAC is built directly into the unit rather than living on a replaceable DA2-style module. If future DAC modularity, more advanced bi-amping configurations, or a full processor loop are priorities, one of those traditional preamps paired with a DS200 may still make more sense.\u003c\/p\u003e\n\u003cp\u003eFor most straightforward high-end two-channel systems, however, the CS7500 dramatically simplifies the front end.\u003c\/p\u003e\n\u003ch2 class=\"subhead margin\"\u003eWho Is the McIntosh CS7500 For?\u003c\/h2\u003e\n\u003cp\u003eThe CS7500 makes the strongest case for someone building a new McIntosh two-channel system who wants streaming to be a primary source but doesn't want to give up vinyl, analog components, TV audio, or the ability to choose a separate power amplifier.\u003c\/p\u003e\n\u003cp\u003eIt's also a particularly good fit if you've been considering something like a C49-style preamp and a DS200 but would rather have the functionality integrated into one component.\u003c\/p\u003e\n\u003cp\u003eIf you want the absolute fewest boxes possible and don't care about choosing a separate power amp, the MSA5500 is still the simpler solution. If you already own a McIntosh preamp you love, adding a DS200 is probably the more sensible route.\u003c\/p\u003e\n\u003cp\u003eBut if you're starting from scratch and want a modern McIntosh system with streaming at its center, the CS7500 fills a space in the lineup that has been missing. At the time of publication, the CS7500 is priced at \u003cstrong\u003e$12,500\u003c\/strong\u003e at Audio Advice.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2 class=\"subhead margin\"\u003eWe’re Here to Help!\u003c\/h2\u003e\n\u003cp\u003eIf you have further questions, contact our experts via \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/contact\"\u003echat, phone, or email\u003c\/a\u003e. Or simply visit one of our \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/locations\"\u003eworld-class showrooms\u003c\/a\u003e to experience speakers, projectors, TVs, and everything in between for yourself before you make a purchase!\u003c\/p\u003e\n\u003cp\u003eIf you’re planning your home theater or media room, check out our \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/home-theater-design\"\u003eHome Theater Design page\u003c\/a\u003e, where we have everything Home Theater related, including our \u003ca href=\"https:\/\/www.audioadvice.com\/pages\/home-theater-design#shopify-section-template--15579935178836__custom_liquid_tXCbWJ\"\u003eFREE Home Theater Design Tool\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eWhen you buy from Audio Advice, you’re buying from a trusted seller since 1978. We offer \u003cstrong\u003eFree Shipping\u003c\/strong\u003e, \u003cstrong\u003eLifetime Expert Support\u003c\/strong\u003e, and our \u003cstrong\u003ePrice Guarantee\u003c\/strong\u003e. We look forward to serving you!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"McIntosh","offers":[{"title":"Default Title","offer_id":47518930600020,"sku":"MCINTOSH:CS7500","price":12500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/CS7500Angle2portraithires.jpg?v=1787146015"},{"product_id":"audiolab-9000q-preamplifier","title":"Audiolab 9000Q Preamplifier","description":"\u003cdiv class=\"col_narrow\"\u003e\n\u003cp\u003eThe Audiolab 9000Q serves as a central control hub for managing both digital and analogue audio sources. At its core, an ESS Sabre ES9038Pro 32 bit DAC processes digital signals, supporting sampling rates up to 192kHz via optical or coaxial connections and up to PCM 768kHz or native DSD512 through the USB B port. System status, menus, and input selections display across a front panel 4.3 inch IPS LCD screen.\u003c\/p\u003e\n\u003cp\u003eFor traditional source equipment, the preamplifier offers three unbalanced RCA inputs, one balanced XLR input, and a dedicated low noise MM phono stage for turntables. Digital connectivity extends to two coaxial inputs, two optical inputs, and wireless Bluetooth 5.1 supporting high resolution aptX, aptX HD, and LDAC codecs. A built in current feedback headphone amplifier caters to personal listening across headphone loads ranging from 20 to 600 ohms.\u003c\/p\u003e\n\u003cp\u003eSignal output options include two unbalanced RCA pre outputs, an AUX output, and a balanced XLR output, along with AV Direct functionality and tone controls. Two 12V trigger outputs allow linked components to power on automatically. Housed in a solid frame measuring 444 x 90 x 328 mm, this unit integrates cleanly into modern audio visual solutions and high performance sound system setup configurations.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Audiolab","offers":[{"title":"Black","offer_id":47641901269076,"sku":"ADL:9000Q-BLK","price":1999.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":47641901301844,"sku":"ADL:9000Q-SLV","price":1999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/3281\/8260\/files\/Audiolab9000QPreamplifierSilver_2.png?v=1788849507"}],"url":"https:\/\/www.audioadvice.com\/collections\/home-audio-components-stereo-preamps.oembed?page=2","provider":"Audio Advice","version":"1.0","type":"link"}